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Transatlantic crossings : British feature films in the United States /
This is a major study of the distribution and exhibition of British films in the USA. Charting the cross-cultural reception of many British films, it draws on a wide range of sources including studio records, film posters, press books, and statistics.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London, UK :
Bloomsbury Academic,
[2016]
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| Colección: | Bloomsbury academic collections. Film studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Street, Sarah, |e author. | |
| 245 | 1 | 0 | |a Transatlantic crossings : |b British feature films in the United States / |c Sarah Street. |
| 264 | 1 | |a London, UK : |b Bloomsbury Academic, |c [2016] | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Bloomsbury academic collections. Film studies : world cinema | |
| 500 | |a "First published 2002 by Continuum. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed August 31, 2016). | |
| 505 | 0 | |a Cover; Half-title; Title; Copyright; Dedication; Contents; List of Tables; Acknowledgements; Hollywood Jabberwocky; Introduction; Notes; 1. The 1920s: British Silent Films in the United States; Stoll Films in America; Protection and Reciprocity; Michael Balcon's International Trajectory; Herbert Wilcox, Nell Gwyn and Dorothy Gish; British Cinema, Hollywood and the Art-Film Market; British Stars: The Case of Ivor Novello; British Film Exports at the End of the Silent Period; Notes; 2. The 1930s: Exportable Texts and Stars -- Alexander Korda and United Artists; The Impact of the 'Talkies' | |
| 505 | 8 | |a The Private Life of Henry VIII in the United StatesUnited Artists and Korda after Henry VIII; Notes; 3. The 1930s: Exportable Texts and Stars -- Herbert Wilcox, Michael Balcon and Reciprocity; Herbert Wilcox and the American Market; Michael Balcon, Gaumont-British and Internationalism; Marketing an International Star: Jessie Matthews; The Economics of Exportability: Basil Dean, Simon Rowson and Reciprocity; British Film Exports at the End of the 1930s; Notes; 4. The 1940s: Prestige, History and Shakespeare; The Second World War; Rank, United Artists and Henry V; Rank, Universal and Hamlet | |
| 505 | 8 | |a Rank, Eagle-Lion and The Red ShoesBritish Film Exports at the End of the 1940s; Notes; 5. Questions of Censorship and Ideology; Mr Breen Regrets; 'Condemned!': The Forbidden Spectacle of Black Narcissus; 'Fair Representation': Oliver Twist and the Censors; Britain and the Decline of the Code: Kind Hearts and Coronets and The Captain's Paradise; Notes; 6. The 1950s: British Films as Art and Entertainment; The Accent Issue; Promoting British Films: Universal and Rank in the Early 1950s; Ealing and Alec Guinness in America; Hammer Horror in America | |
| 505 | 8 | |a Conclusion: British Films as Art and EntertainmentNotes; 7. The 1960s: New Money, New Identities; The British 'New Wave' in America; United Artists and Tom Jones; A Hard Day's Night; The Midas Touch: James Bond in America; Hollywood and Bust: The Withdrawl of American Finance; Notes; 8. The 1970s to 2000: British Films and the 'New' Hollywood; The Heritage Question; Goldcrest and Film Finance in the 1980s; British Films at the American Box-office in the 1990s; Trainspotting in America; British Comedies: The Full Monty, Secrets and Lies, Bean and Notting Hill | |
| 505 | 8 | |a A Bigger Splash? Crossing the Pond, 2001Notes; Conclusion; A. Films Imported into the United States, 1927-1968; B. British Feature Films Imported by the United States, 1927-1967: Film Daily Year Book Listings; Archival Sources and Bibliography; Index | |
| 520 | 8 | |a This is a major study of the distribution and exhibition of British films in the USA. Charting the cross-cultural reception of many British films, it draws on a wide range of sources including studio records, film posters, press books, and statistics. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Motion pictures, British |z United States. | |
| 650 | 0 | |a Motion pictures |z Great Britain |x History. | |
| 650 | 6 | |a Cinéma britannique |z États-Unis. | |
| 650 | 6 | |a Cinéma |z Grande-Bretagne |x Histoire. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Motion pictures, British. |2 fast |0 (OCoLC)fst01027489 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
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