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|a Mills, Fiona.
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|a Like One of the Family :
|b Domestic Workers, Race, and In/Visibility in The Help.
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|a Newcastle-upon-Tyne :
|b Cambridge Scholars Publishing,
|c 2016.
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|a 1 online resource (203 pages)
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|a Table of Contents; Preface; Acknowledgements; Introduction; Part I: Domestic Workers, Children, and Neglect; Every Child Left Behind; Shortchanged by the Care Economy; The Invisibility of Shame; Part II: Lost in Translation-Talking Black, Writing White; "You is kind, you is smart, you is important"; Contemporary Consumption of the False Friendship and Tainted Testimony of Kathryn Stockett's The Help; Part III: Film as Racial Spectacle; Segregation as Southern Anomaly; Missing Children; Finding Voice and Resistance in Kathryn Stockett's The Help and Ousmane Sembène's Black Girl.
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|a Part IV: The Laboring Black Body and Domestic RelationshipsIn Service to Whom? Reading Race and Work in The Help and Candy; The Sexless Servant is the Safer Servant; Dirty South; Contributors; Index.
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|a Kathryn Stockett's 2009 best-selling novel The Help and its subsequent 2011 film center on the experiences of African-American domestic workers living in Jackson, Mississippi. Stockett's sanitized portrayal of life in the Deep South where black women were charged with rearing white children while concurrently barred from sharing toilets and common eating areas with their employers simultaneously enthralled and disturbed readers and viewers alike. Notably, it is not the domestics themselves who render their tales but rather Eugenia Phelan, a white, twenty-something Mississippian with whom they.
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|a Stockett, Kathryn.
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|a Literature & literary studies.
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|a Literary essays.
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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776 |
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|i Print version:
|a Mills, Fiona.
|t Like One of the Family : Domestic Workers, Race, and In/Visibility in The Help.
|d Newcastle-upon-Tyne : Cambridge Scholars Publishing, ©2016
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