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Theorizing sound writing /
An eclectic and experimental exploration of sound from the vantage point of writing.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Middletown, Connecticut :
Wesleyan University Press,
[2017]
|
| Colección: | Music/culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 160823s2017 ctua obkq 001 0 eng | ||
| 010 | |a 2016038984 | ||
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| 042 | |a pcc | ||
| 050 | 1 | 4 | |a ML3797 |b .T46 2017 |
| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 082 | 0 | 0 | |a 780.72 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Theorizing sound writing / |c edited by Deborah Kapchan. |
| 264 | 1 | |a Middletown, Connecticut : |b Wesleyan University Press, |c [2017] | |
| 300 | |a 1 online resource (viii, 319 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b n |2 rdamedia | ||
| 338 | |a online resource |b nc |2 rdacarrier | ||
| 490 | 1 | |a Music / culture | |
| 504 | |a Includes bibliographical references, discographies, filmographies, and index. | ||
| 520 | |a An eclectic and experimental exploration of sound from the vantage point of writing. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on March 01, 2017). | |
| 505 | 0 | |a Cover; Theorizing Sound Writing; Title; Copyright; CONTENTS; Acknowledgments; The Splash of Icarus: Theorizing Sound Writing/Writing Sound Theory; PART ONE WRITING SOUND THEORY; 1. Musicology, Performativity, Acoustemology; 2. Acoustic Palimpsests; 3. Writing the Magnified Musicking Moment; PART TWO MEMOIR AND METAPHOR AS METHOD; 4. Listening to Resonant Words; 5. Sound Commitments: Extraordinary Stories; 6. Traffic Patterns; 7. In My Solitude: Jazz Song as "Sound Writing"; PART THREE THEORIZING SOUND WRITING; 8. Women Out Loud: Religious Performance in Islamic Indonesia. | |
| 505 | 8 | |a 9. "Where the Transcendent Breaks into Time": Toward a Theology of Sound in Afro-Cuban Regla de Ochá10. Almost Imperceptible Rhythms and Stuff Like That: The Power of Affect in Live Performance; PART FOUR LISTENING AND WITNESS; 11. Deadly Soundscapes: Scripts of Lethal Force and Lo-Fi Death; 12. Listening Acts: Witnessing the Pain (and Praise) of Others; Afterword: Sound Properties of the Written Word; About the Contributors; Index. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Musicology. | |
| 650 | 0 | |a Ethnomusicology. | |
| 650 | 0 | |a Sound (Philosophy) | |
| 650 | 6 | |a Musicologie. | |
| 650 | 6 | |a Ethnomusicologie. | |
| 650 | 6 | |a Son (Philosophie) | |
| 650 | 7 | |a musicology. |2 aat | |
| 650 | 7 | |a ethnomusicology. |2 aat | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Ethnomusicology |2 fast | |
| 650 | 7 | |a Musicology |2 fast | |
| 650 | 7 | |a Sound (Philosophy) |2 fast | |
| 700 | 1 | |a Kapchan, Deborah A. |q (Deborah Anne), |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Theorizing sound writing. |d Middletown, Connecticut : Wesleyan University Press, [2017] |z 9780819576644 |w (DLC) 2016030957 |
| 830 | 0 | |a Music/culture. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1402661 |z Texto completo |
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| 938 | |a EBSCOhost |b EBSC |n 1402661 | ||
| 938 | |a Project MUSE |b MUSE |n muse56278 | ||
| 938 | |a YBP Library Services |b YANK |n 13505545 | ||
| 994 | |a 92 |b IZTAP | ||