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Forms of reflexivity in music therapy : an anthology /
A collection of the author's writings on the various forms of self-awareness that he has advocated for music therapy practice, research, and education-from the inevitability of "countertransference" in clinical work to the advantages of different "modes of consciousness" and...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Dallas, TX :
Barcelona Publishers,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Preface; Why now? Situating Reflexivity; References; Part One: Reflexive Practices
- Chapter 1: Introduction to Countertransference
- Chapter 2: The Signs of Countertransference; Intrasubjective Countertransference; Intersubjective Countertransference
- Chapter 3: Techniques for Uncovering and Working with Countertransference; Sessional Techniques; Experiential Self-Inquiries; Reflective Self-Inquiries; Supervision; Self-Experiences in Music Psychotherapy; Nurturing the Musical Self
- Chapter 4: Authenticity in Music Therapy Practice; Authenticity in Experimental Improvisation Therapy; Authenticity in the Improvisation Assessment Profiles (IAPs)
- Chapter 5: The [Authentic] Role of Power in Music Therapy; Authenticity; The Authenticity of Empowerment; Implications
- Chapter 6: Modes of Consciousness in Music Therapy; Continually Shifting Consciousness; Attending Three Experiential Spaces; Four Levels of Experiencing; Relationship Parameters; Media of Transportation; Implications for Therapist; Gender Perspectives
- Chapter 7: Reimaging Client Images: A Technique for Exploring Transference and Countertransference in Guided Imagery and MusicBackground; Development of the Reimaging Technique; The Images; Analysis of Countertransference; Analysis of Transference; Therapeutic Strategies; Conclusion; Author's Note February 15, 2015
- Chapter 8: Fluidity; Need for Reflexivity; Fluidity and Theoretical Orientations; Developing Fluidity
- Chapter 9: Music Therapy: A Reflexive Process; Author's Note; REFLEXIVE; How to Be Reflexive; Goal Integrity; Method Integrity; Client Progress; Self-Awareness Situating Client and Self Well-Informed; Ethical Practice; Summary
- Part Two: Reflexive and First-Person Research
- Chapter 10: The Personal and Interpersonal Nature of Qualitative Research; Personal Facets; Interpersonal Facets
- Chapter 11: Steps in the Process of Doing Qualitative Research; Author's Introduction
- Chapter 12: The Human Side of Doing Qualitative Music Therapy Research; Self-inquiry; Consult; Collaborate; Journal; Coda
- Chapter 13: Authenticity in Qualitative Research; Context and Definition; Authenticity of Intent; Authenticity of Paradigm; Authenticity of Focus Is the Purpose the Purpose? Authenticity of Context; Authenticity of Method; Authenticity of Findings; Authenticity of Communication; Summary
- Chapter 14: First Person Research; Overview and Definition; Historical Roots and Theoretical Premises; Methodology
- Chapter 15: A Collaborative Heuristic Analysis of Imagery-M: A Classical Music Program in the Bonny Method of Guided Imagery and Music (BMGIM); Method; Results and Discussion; Part One: Findings of the Heuristic Analysis; Part Two: Data Summaries; Summary and Conclusions.