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Forms of reflexivity in music therapy : an anthology /
A collection of the author's writings on the various forms of self-awareness that he has advocated for music therapy practice, research, and education-from the inevitability of "countertransference" in clinical work to the advantages of different "modes of consciousness" and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Dallas, TX :
Barcelona Publishers,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn957126756 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
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| 008 | 160827s2015 txu ob 000 0 eng d | ||
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| 020 | |a 9781937440725 |q (electronic bk.) | ||
| 020 | |a 1937440729 |q (electronic bk.) | ||
| 035 | |a (OCoLC)957126756 | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Bruscia, Kenneth E., |e author. | |
| 245 | 1 | 0 | |a Forms of reflexivity in music therapy : |b an anthology / |c Kenneth E. Bruscia. |
| 264 | 1 | |a Dallas, TX : |b Barcelona Publishers, |c [2015] | |
| 300 | |a 1 online resource (234 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Online resource; title from pdf information screen (EBSCO, viewed March 15, 2017). | |
| 505 | 0 | |a Preface; Why now? Situating Reflexivity; References; Part One: Reflexive Practices -- Chapter 1: Introduction to Countertransference -- Chapter 2: The Signs of Countertransference; Intrasubjective Countertransference; Intersubjective Countertransference -- Chapter 3: Techniques for Uncovering and Working with Countertransference; Sessional Techniques; Experiential Self-Inquiries; Reflective Self-Inquiries; Supervision; Self-Experiences in Music Psychotherapy; Nurturing the Musical Self -- Chapter 4: Authenticity in Music Therapy Practice; Authenticity in Experimental Improvisation Therapy; Authenticity in the Improvisation Assessment Profiles (IAPs) -- Chapter 5: The [Authentic] Role of Power in Music Therapy; Authenticity; The Authenticity of Empowerment; Implications -- Chapter 6: Modes of Consciousness in Music Therapy; Continually Shifting Consciousness; Attending Three Experiential Spaces; Four Levels of Experiencing; Relationship Parameters; Media of Transportation; Implications for Therapist; Gender Perspectives -- Chapter 7: Reimaging Client Images: A Technique for Exploring Transference and Countertransference in Guided Imagery and MusicBackground; Development of the Reimaging Technique; The Images; Analysis of Countertransference; Analysis of Transference; Therapeutic Strategies; Conclusion; Author's Note February 15, 2015 -- Chapter 8: Fluidity; Need for Reflexivity; Fluidity and Theoretical Orientations; Developing Fluidity -- Chapter 9: Music Therapy: A Reflexive Process; Author's Note; REFLEXIVE; How to Be Reflexive; Goal Integrity; Method Integrity; Client Progress; Self-Awareness Situating Client and Self Well-Informed; Ethical Practice; Summary -- Part Two: Reflexive and First-Person Research -- Chapter 10: The Personal and Interpersonal Nature of Qualitative Research; Personal Facets; Interpersonal Facets -- Chapter 11: Steps in the Process of Doing Qualitative Research; Author's Introduction -- Chapter 12: The Human Side of Doing Qualitative Music Therapy Research; Self-inquiry; Consult; Collaborate; Journal; Coda -- Chapter 13: Authenticity in Qualitative Research; Context and Definition; Authenticity of Intent; Authenticity of Paradigm; Authenticity of Focus Is the Purpose the Purpose? Authenticity of Context; Authenticity of Method; Authenticity of Findings; Authenticity of Communication; Summary -- Chapter 14: First Person Research; Overview and Definition; Historical Roots and Theoretical Premises; Methodology -- Chapter 15: A Collaborative Heuristic Analysis of Imagery-M: A Classical Music Program in the Bonny Method of Guided Imagery and Music (BMGIM); Method; Results and Discussion; Part One: Findings of the Heuristic Analysis; Part Two: Data Summaries; Summary and Conclusions. | |
| 500 | |a Appendix A: Two Versions of the Imagery Program. | ||
| 520 | |a A collection of the author's writings on the various forms of self-awareness that he has advocated for music therapy practice, research, and education-from the inevitability of "countertransference" in clinical work to the advantages of different "modes of consciousness" and "fluidity" in ensuring self-aware practice, and from the need for "authenticity" in practice, theory, and research to the importance of "self-inquiry," especially in the education and training of music therapists | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Music therapy |x Methods. | |
| 650 | 0 | |a Music therapy |x Research. | |
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| 650 | 7 | |a Music therapy |2 fast | |
| 650 | 7 | |a Music therapy |x Research |2 fast | |
| 655 | 7 | |a Methods (Music) |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Bruscia, Kenneth. |t Forms of Reflexivity in Music Therapy : An Anthology. |d Dallas, TX : Barcelona Publishers, ©2015 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1289584 |z Texto completo |
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