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Unspeakable Histories : Film and the Experience of Catastrophe.

In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momen...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Guynn, William
Formato: Electrónico eBook
Idioma:Inglés
Publicado: La Vergne : Columbia University Press, 2016.
Colección:Film and culture.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Table of Contents ; Introduction: Making Experience Speak; 1. Yaël Hersonski's A Film Unfinished ; 2. Andrzej Wajda's Katyn ; 3. Andrei Konchalovsky's Siberiade ; 4. Larisa Shepitko's The Ascent ; 5. Patricio Guzmán's Nostalgia for the Light ; 6. Rithy Panh's S21: The Khmer Rouge Killing Machine ; 7. Joshua Oppenheimer's The Act of Killing ; Epilogue ; Notes ; Bibliography ; Index. 
520 |a In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores the emotional resonance that still adheres to traumatic historical events. Guynn considers dimensions of experience that historiography leaves untouched. Yaël. 
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650 0 |a Catastrophical, The, in motion pictures. 
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650 6 |a Traumatisme psychique au cinéma. 
650 6 |a Catastrophe (Philosophie) au cinéma. 
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