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The aesthetics of emotion : up the down staircase of the mind-body /
Gerald C. Cupchik builds a bridge between science and the humanities, arguing that interactions between mind and body in everyday life are analogous to relations between subject matter and style in art. According to emotional phase theory, emotional reactions emerge in a'perfect storm'wher...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, United Kingdom :
Cambridge University Press,
2016.
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| Colección: | Studies in emotion and social interaction.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cupchik, Gerald C., |e author. | |
| 245 | 1 | 4 | |a The aesthetics of emotion : |b up the down staircase of the mind-body / |c Gerald C. Cupchik. |
| 264 | 1 | |a Cambridge, United Kingdom : |b Cambridge University Press, |c 2016. | |
| 300 | |a 1 online resource (xxv, 387 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Studies in emotion and social interaction. Second series | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Experiences in life and in art -- Thinking critically about emotion theories -- The depth of affective processing -- Emotional experiences as reactions -- Antecedents of the motivational action models -- Emotional Phase Theory -- Neural underpinnings of emotional experiences and feeling-based actions -- The aesthetic imagination -- Affective processes and aesthetic reception -- The ''aesthetics of emotion'' as analogy and metaphor -- Creative practices of contemporary artists -- The cave artist's share -- Studies in aesthetic reception -- In search of a unified emotion theory -- Epilogue. | |
| 520 | |a Gerald C. Cupchik builds a bridge between science and the humanities, arguing that interactions between mind and body in everyday life are analogous to relations between subject matter and style in art. According to emotional phase theory, emotional reactions emerge in a'perfect storm'whereby meaningful situations evoke bodily memories that unconsciously shape and unify the experience. Similarly, in expressionist or impressionist painting, an evocative visual style can spontaneously colour the experience and interpretation of subject matter. Three basic situational themes encompass complementary pairs of primary emotions: attachment (happiness - sadness), assertion (fear - anger), and absorption (interest - disgust). Action episodes, in which a person adapts to challenges or seeks to realize goals, benefit from energizing bodily responses which focus attention on the situation while providing feedback, in the form of pleasure or pain, regarding success or failure. In high representational paintings, style is transparent, making it easier to fluently identify subject matter. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Aesthetics |x Psychological aspects. | |
| 650 | 0 | |a Emotions. | |
| 650 | 0 | |a Art |x Psychological aspects. | |
| 650 | 0 | |a Mind and body. | |
| 650 | 7 | |a PHILOSOPHY |x Metaphysics. |2 bisacsh | |
| 650 | 7 | |a Aesthetics |x Psychological aspects. |2 fast |0 (OCoLC)fst00798713 | |
| 650 | 7 | |a Art |x Psychological aspects. |2 fast |0 (OCoLC)fst00815320 | |
| 650 | 7 | |a Emotions. |2 fast |0 (OCoLC)fst00908819 | |
| 650 | 7 | |a Mind and body. |2 fast |0 (OCoLC)fst01021997 | |
| 650 | 7 | |a Ästhetik |2 gnd | |
| 650 | 7 | |a Gefühl |2 gnd | |
| 650 | 7 | |a Philosophy of Mind |2 gnd | |
| 776 | 0 | 8 | |i Print version: |a Cupchik, Gerald C. |t Aesthetics of emotion. |d Cambridge, United Kingdom : Cambridge University Press, 2016 |z 9781107024458 |w (DLC) 2015038208 |w (OCoLC)925784767 |
| 830 | 0 | |a Studies in emotion and social interaction. |n Second series. | |
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