Cargando…
Occasional pieces : writings and interviews, 1952-2013 /
With Occasional Pieces, composer Christian Wolff brings together a collection of his most notable writings and interviews from 1950 to the present, shining a new light on American music of the second half of the twentieth century. Included are profiles of Wolff's experimentalist contemporaries,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Oxford University Press,
2017.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Occasional Pieces: Writings and Interviews, 1952 -2013; Copyright; Contents; Foreword; Works Cited; Author's Preface; Acknowledgments; Occasional Pieces; Chapter 1: (One of)Four Musicians at Work (1952); I; II; III; Chapter 2: On Webern (1955); Chapter 3: New and Electron:ic Music (1958); Chapter 4: On Form (1960); Chapter 5: Questions (1964); Chapter 6: Electricity and Music (1968); Chapter 7: Interview with Victor Schonfield (1969); Chapter 8: Fragments to Make Up anInterview (1970-71); Chapter 9: For Merce (1975); Chapter 10: Conversation with Walter Zimmermann (1976).
- Chapter 11: Frederic Rzewski, The People United Will Never Be Defeated (1978)Chapter 12: On Political Texts and New Music (1980); Chapter 13: On the Death of Cornelius Cardew (1981); Chapter 14: On Notation (1984); Chapter 15: Open to Whom and to What (1987); In General; Some notes on three pieces; Chapter 16: Morton Feldman Memorial Text (1987); Chaptee 17: On Morton Feldman's Piano Piece 1952 (1988, 1995); Chapter 18: On Morton Feldman's Music (1990); Chapter 19: What Is Our Work? (1990); Chapter 20: On Charles Ives (1990).
- Chapter 21: Keith Rowe, A Dimension of Perfectly Ordinary Reality (1990)Chapter 22: On Dieter Schnebel's Marsyas (1990); Chapter 23: Floating Rhythm and Experimental Percussion (1990); Chapter 24: Quiet Music (1991); Chapter 25: Interview with Cole Gagne (1992); Chapter 26: Interview with Markus Trunk (1992); Chapter 27: Briefly on Cornelius Cardewand John Cage (1992); Chapter 28: John Cage Memorial Text (1992); Chapter 29: Preface to John Cage, Morton Feldman: RadioHappenings I-V (1993); Chapter 30: Sketch of a Statement (1993); Chapter 31: Music-Work-Experiment-Politics (1995).
- Chapter 32: Letter to Suzanne Josek (1996)Chapter 33: Thinking of David Tudor (1997) ; Chapter 34: Most Material: Evan Parker and Eddie Prévost (1997); Chapter 35: Frederic Rzewski and His Piano Music (2001); Chapter: 36 Merce Cunningham and CW Music (2001); Chapter 37: Feldman's String Quartet No. 2 (2002) ; On the duration of the performance ; Chapter 38: Earle Brown-Chamber Music (2004); Chapter 39: Some Notes on Charles Ives and Politics (2004); Chapter 40: On Day-to-Day Composing Work (2004); Chapter 41: Remembering Grete Sultan (2005).
- Chapter 42: On Music with Cunningham Events (2008)Chapter 43: Some Recollections of Arthur Russell (2009) ; Chapter 44: On Verbal Notation (2009); Chapter 45: Experimental Music around 1950 and Some Consequences and Causes (2009); Chapter 46: Interview with James Saunders (2009); Chapter 47: Crossings of Experimental Music and Greek Tragedy (2010); Darius Milhaud ; Erik Satie ; Harry Partch ; Iannis Xenakis ; Conclusion ; Chapter 48: About Merce (2010); Chapter 49: What Can I Still Say about John Cage? (2012); Chapter 50: Thinking Yet Again about JohnCage (2012).