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Kwaito's promise : music and the aesthetics of freedom in South Africa /

"In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country's urban black youth developed kwaito--a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines k...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Steingo, Gavin (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago ; London : The University of Chicago Press, 2016.
Colección:Chicago studies in ethnomusicology.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Kwaito's promise :  |b music and the aesthetics of freedom in South Africa /  |c Gavin Steingo. 
246 3 0 |a Music and the aesthetics of freedom in South Africa 
264 1 |a Chicago ;  |a London :  |b The University of Chicago Press,  |c 2016. 
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490 1 |a Chicago studies in ethnomusicology 
504 |a Includes bibliographical references and index. 
505 0 |a The struggle of freedom -- The experience of the outside -- Platform, or the miracle of the ordinary -- Immobility, obduracy, and experimentalism in Soweto -- Acoustic assemblages and forms of life -- Black diamonds -- Times and spaces of listening -- Epilogue. 
588 0 |a Print version record. 
520 |a "In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country's urban black youth developed kwaito--a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today - who face high unemployment, extreme inequality, and widespread crime--Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa's crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren't escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that "music is always political," Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state"--Publisher's website 
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650 0 |a Kwaito (Music)  |x Social aspects. 
650 0 |a Kwaito (Music)  |x Philosophy and aesthetics. 
650 0 |a Kwaito (Music)  |x Political aspects. 
650 0 |a Musicians, Black  |z South Africa. 
651 0 |a South Africa  |x Social conditions  |y 1994- 
650 6 |a Kwaïto  |x Aspect social. 
650 6 |a Kwaïto  |x Philosophie et esthétique. 
650 6 |a Kwaïto  |x Aspect politique. 
650 6 |a Musiciens noirs  |z Afrique du Sud. 
651 6 |a Afrique du Sud  |x Conditions sociales  |y 1994- 
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650 7 |a Social conditions  |2 fast 
651 7 |a South Africa  |2 fast 
650 7 |a Politik  |2 gnd 
650 7 |a Musik  |2 gnd 
650 7 |a Kwaito  |2 gnd 
651 7 |a Südafrika  |2 gnd 
648 7 |a Since 1994  |2 fast 
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