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00000cam a2200000 i 4500 |
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EBSCO_ocn949930324 |
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OCoLC |
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20231017213018.0 |
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m o d |
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|a PN1992.8.C66
|b S57 2016eb
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|2 23
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| 049 |
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|a UAMI
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| 245 |
0 |
4 |
|a The sitcom reader :
|b America re-viewed, still skewed /
|c edited by Mary M. Dalton and Laura R. Linder.
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| 250 |
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|a Second edition.
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| 264 |
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1 |
|a Albany :
|b State University of New York Press,
|c 2016.
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 588 |
0 |
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|a Print version record.
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| 505 |
0 |
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|a Illustrations; Introduction; 1. Origins of the Genre: In Search of the Radio Sitcom; Dialect Comedies; The Sitcom-variety Show Hybrids; Improving the Horse and Carriage; Notes; The 1950s; Notes; 2. Who Rules the Roost?: Sitcom Family Dynamics from the Cleavers to Modern Family; 3. I Love Lucy: Television and Gender in Postwar Domestic Ideology; Notes; 4. To the Moon! Working-Class Masculinity in The Honeymooners; The 1960s; 5. The Rural Sitcom from The Real McCoys to Relevance; The Real Mccoys and Its Cohorts; "que Sera, Sera"-annually; Conclusion; Notes.
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| 505 |
8 |
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|a 6. The 1960s Magicoms: Safety in Numb-ersNotes; 7. Negotiated Boundaries: Production Practices and the Making of Representation in Julia; Genre Conventions; Cinematic Style and Staging Conventions; Casting Conventions; The 1970s; 8. The Norman Lear Sitcoms and the 1970s; All in the Family; Sanford and Son; Maude; Good Times; The Jeffersons; Conclusion; Notes; 9. Liberated Women and New Sensitive Men: Reconstructing Gender in 1970s Workplace Comedies; 10. "Who's in Charge Here?" Views of Media Ownership in Situation Comedies; Alienation of the Worker: The Dick Van Dyke Show.
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| 505 |
8 |
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|a The Carnival World: The Mary Tyler Moore ShowThe Grotesque: Seinfeld; Conclusion; Notes; The 1980s; 11. The Cosby Show: Recoding Ethnicity and Masculinity within the Television Text; Mythology and Icons in the Televisual Text; Genre, Convention/invention, And Recoding Blackness; Professionals and Their Nuclear Family: Class and Affluence Codes; Disposable Income; The Value of Education; Multiracialism; Racial Pride; Humor Mediated by Humanity; Achievements and Limitations in the Cosby Recoding of "Black"; In the End; Notes; 12. Roseanne, Roseanne, Reality, and Domestic Comedy; Notes.
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| 505 |
8 |
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|a 13. Cheers: Searching for the Ideal Public Sphere in the Ideal Public HouseHabermas and His Critics; Locating a Contemporary Ideal Public Sphere; The 1990s; 14. Seinfeld: The Transcendence of the Quotidian; Notes; 15. Cybill: Privileging Liberal Feminism in Daily Sitcom Life; Liberal Feminism and Cybill; Women and Work; Cultural and Political Lessons; Dating and Romance; A Foundation of Friendship; Motherhood; Conclusion; Notes; 16. Talking Sex: Comparison Shopping through Female Conversation in HBO's Sex and the City; My Momma' Told Me ... You Better Shop Around; Shop Talk; Conclusion.
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| 505 |
8 |
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|a Addendum: What Do Women Want?The 2000s; 17. "It's Just a Bunch of Stuff that Happened": The Simpsons and the Possibility of Postmodern Comedy; Traditional Theories of Comedy Worked for More Traditional Times; So We Cannot Rise above the World. This Is Not to Be Lamented. Nothing Rises.; As the Comic Book Store Guy Would Say, This May Be the Worst ... Chapter ... Ever; Notes; 18. Breaking and Entering: Transgressive Comedy on Television; Note; 19. Sealed with a Kiss: Heteronormative Narrative Strategies in; An Introduction to Will & Grace: (Heterosexual) Pairings and the On-screen Kiss.
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 650 |
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0 |
|a Situation comedies (Television programs)
|z United States
|x History and criticism.
|
| 650 |
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6 |
|a Comédies de situation
|x Histoire et critique
|z États-Unis.
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| 650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
| 650 |
|
7 |
|a Situation comedies (Television programs)
|2 fast
|0 (OCoLC)fst01744318
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| 651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 700 |
1 |
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|a Dalton, Mary M.,
|d 1962-
|e editor.
|
| 700 |
1 |
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|a Linder, Laura R.,
|e editor.
|
| 776 |
0 |
8 |
|i Print version:
|t Sitcom reader.
|b Second edition.
|d Albany : State University of New York Press, 2016
|z 9781438461311
|w (DLC) 2015030787
|w (OCoLC)918562808
|
| 856 |
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0 |
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|a Askews and Holts Library Services
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