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Cinematic cuts : theorizing film endings /
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Albany :
State University of New York Press,
2016.
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| Colección: | SUNY series, Insinuations: Philosophy, Psychoanalysis, Literature
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: on the subject of endings / Sheila Kunkle
- Resolution, truncation, glitch / Hugh S. Manon
- The banality of trauma: Claire Denis's Bastards and the anti-ending / Hilary Neroni
- The greatest trick the devil ever played: desire, drive, and the twist ending / Ryan Engley
- Retroactive rupture: the place of the subject in Jane Campion's In the cut / Fabio Vighi
- Love, loss, endings, and beginnings: a psychoanalysis of Rust and bone / Juan Pablo Lucchelli
- Cinematic ends: the ties that unbind in Claire Denis's White material / Jennifer Friedlander
- When one becomes two: the ending of Catfish / Rex Butler
- The satisfaction of an ending / Todd McGowan
- The too realistic cut: gaze as overconformity in Blue velvet / Henry Krips
- The end of fantasy as we know it: Her and the vanishing mediator of the voice in film / Sheila Kunkle
- Melancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / David Denny
- Cut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / A. Kiarina Kordela
- The end of (self) analysis: the end of Kurosawa's High and low / Brian Wall
- The final failure in The dark knight rises / Slavoj Žižek
- The ["end"] / Jan Agodzinski.