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EBSCO_ocn949669346 |
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|a 9781438461380
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|a 1438461380
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|a UAMI
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|a Cinematic cuts :
|b theorizing film endings /
|c edited by Sheila Kunkle.
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|a Albany :
|b State University of New York Press,
|c 2016.
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|a 1 online resource
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| 336 |
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|a text
|b txt
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|a SUNY series, Insinuations: Philosophy, Psychoanalysis, Literature
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|a Includes bibliographical references and index.
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|a Introduction: on the subject of endings / Sheila Kunkle -- Resolution, truncation, glitch / Hugh S. Manon -- The banality of trauma: Claire Denis's Bastards and the anti-ending / Hilary Neroni -- The greatest trick the devil ever played: desire, drive, and the twist ending / Ryan Engley -- Retroactive rupture: the place of the subject in Jane Campion's In the cut / Fabio Vighi -- Love, loss, endings, and beginnings: a psychoanalysis of Rust and bone / Juan Pablo Lucchelli -- Cinematic ends: the ties that unbind in Claire Denis's White material / Jennifer Friedlander -- When one becomes two: the ending of Catfish / Rex Butler -- The satisfaction of an ending / Todd McGowan -- The too realistic cut: gaze as overconformity in Blue velvet / Henry Krips -- The end of fantasy as we know it: Her and the vanishing mediator of the voice in film / Sheila Kunkle -- Melancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / David Denny -- Cut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / A. Kiarina Kordela -- The end of (self) analysis: the end of Kurosawa's High and low / Brian Wall -- The final failure in The dark knight rises / Slavoj Žižek -- The ["end"] / Jan Agodzinski.
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|i Print version:
|t Cinematic cuts.
|d Albany : State University of New York Press, 2016
|z 9781438461373
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|w (OCoLC)921995150
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