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Mozart's music of friends : social interplay in the chamber works /
In 1829 Goethe famously described the string quartet as 'a conversation among four intelligent people'. Inspired by this metaphor, Edward Klorman's study draws on a wide variety of documentary and iconographic sources to explore Mozart's chamber works as 'the music of friend...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Klorman, Edward, |d 1982- | |
| 245 | 1 | 0 | |a Mozart's music of friends : |b social interplay in the chamber works / |c Edward Klorman ; foreword by Patrick McCreless. |
| 264 | 1 | |a Cambridge : |b Cambridge University Press, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g pt. I |t HISTORICAL PERSPECTIVES -- |g 1. |t music of friends -- |g 2. |t Chamber music and the metaphor of conversation -- |g 3. |t Private, public, and playing in the present tense -- |g pt. II |t ANALYTICAL PERSPECTIVES -- |g 4. |t Analyzing from within the music: toward a theory of multiple agency -- |g 5. |t Multiple agency and sonata form -- |g 6. |t Multiple agency and meter -- |g 7. |t afternoon at skittles: analysis of the "Kegelstatt" trio, K. 498. |
| 520 | |a In 1829 Goethe famously described the string quartet as 'a conversation among four intelligent people'. Inspired by this metaphor, Edward Klorman's study draws on a wide variety of documentary and iconographic sources to explore Mozart's chamber works as 'the music of friends'. Illuminating the meanings and historical foundations of comparisons between chamber music and social interplay, Klorman infuses the analysis of sonata form and phrase rhythm with a performer's sensibility. He develops a new analytical method called multiple agency that interprets the various players within an ensemble as participants in stylized social intercourse - characters capable of surprising, seducing, outwitting, and even deceiving one another musically. This book is accompanied by online resources that include original recordings performed by the author and other musicians, as well as video analyses that invite the reader to experience the interplay in time, as if from within the ensemble. | ||
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| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Criticism and interpretation. |
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| 650 | 0 | |a Chamber music |y 18th century |x History and criticism. | |
| 650 | 6 | |a Musique de chambre |y 18e siècle |x Histoire et critique. | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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