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EBSCO_ocn948734402 |
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20231017213018.0 |
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|a 018021780
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|a (OCoLC)948734402
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|a 9781443892452
|b Cambridge Scholars Publishing
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|a 780.2/66/075
|2 23
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|a UAMI
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|a Skrimsjo, Veronica.
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|a 'I, Me. Mine?' :
|b an initial consideration of (popular music record) collecting aesthetics, identities and practices /
|c by Veronica Skrimsjö.
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|a Newcastle upon Tyne :
|b Cambridge Scholars Publishing,
|c 2016.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references and index.
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|a Currently, there is very little academic literature dealing with the topic of record collecting, and, when the topic is broached, it appears to be done so with some level of suspicion towards the record collector. As such, the only depictions of record collectors in the public domain tend to be very stereotypical and demeaning. This work serves as a new starting point in how the record collector and the practices involved are viewed and understood by considering the roots of these stereotypes, which mainly stem from the work of the Frankfurt School theorists who lived during a time of great in.
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590 |
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|a Sound recordings
|x Collectors and collecting.
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|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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|a MUSIC
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|2 bisacsh
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650 |
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7 |
|a Sound recordings
|x Collectors and collecting.
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|0 (OCoLC)fst01127043
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|i Print version:
|z 1443889121
|z 9781443889124
|w (OCoLC)948549422
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|a Askews and Holts Library Services
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|a Coutts Information Services
|b COUT
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