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The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films /

The films covered in this volume include Viva Zapata (1952), On the Waterfront (1954), East of Eden (1954), Baby Doll (1956), A Face in the Crowd (1957), Splendor in the Grass (1961), America, America (1963), and The Last Tycoon (1976).

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Briley, Ron, 1949- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham : Rowman & Littlefield, 2016.
Colección:Film and history (Lanham, Md.)
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The ambivalent legacy of Elia Kazan :  |b the politics of the post-HUAC films /  |c Ron Briley. 
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490 1 |a Film and history 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976). 
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520 |a The films covered in this volume include Viva Zapata (1952), On the Waterfront (1954), East of Eden (1954), Baby Doll (1956), A Face in the Crowd (1957), Splendor in the Grass (1961), America, America (1963), and The Last Tycoon (1976). 
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