Literary impressionism : vision and memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair /

"Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"--

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bowler, Rebecca (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Bloomsbury Academic, 2016.
Colección:Historicizing modernism.
Temas:
Richardson, Dorothy M. > (Dorothy Miller), > 1873-1957 > Criticism and interpretation.
Ford, Ford Madox, > 1873-1939 > Criticism and interpretation.
H. D. > (Hilda Doolittle), > 1886-1961 > Criticism and interpretation.
Sinclair, May > Criticism and interpretation.
Ford, Ford Madox, > 1873-1939.
H. D. > (Hilda Doolittle), > 1886-1961.
Richardson, Dorothy M. > (Dorothy Miller), > 1873-1957.
Sinclair, May.
H. D. > 1886-1961
Ford, Ford Madox > 1873-1939
Richardson, Dorothy Miller > 1873-1957
Sinclair, May > 1863-1946
1900-1999
English literature > 20th century > History and criticism.
Impressionism in literature.
Visual perception in literature.
Memory in literature.
Modernism (Literature)
American literature > 20th century > History and criticism.
Impressionism.
Littérature anglaise > 20e siècle > Histoire et critique.
Impressionnisme (Littérature)
Perception visuelle dans la littérature.
Mémoire dans la littérature.
Modernisme (Littérature)
Littérature américaine > 20e siècle > Histoire et critique.
Literature: history & criticism.
Literary studies: fiction, novelists & prose writers.
Literary studies: from c 1900.
LITERARY CRITICISM > European > English, Irish, Scottish, Welsh.
LITERARY CRITICISM > Women Authors.
American literature.
English literature.
Erinnerung > Motiv
Impressionismus
Vision > Motiv
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Half Title; Series page; Title; Copyright; Contents; Acknowledgements; Introduction; 1 Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford; 'The thing perceived and herself perceiving': The double impression; Realism, impressionism and Henry James; Subjectivity and objectivity; Representing the unrepresentable I: Total experience and the distracted subject in Ford Madox Ford's Parade's End; Representing the unrepresentable II: Masculine blindness and feminine angles of vision in Dorothy Richardson's ...
  • Selection and patterning: The impressionist text as tapestry2 Mystical Visions and Primary Perception: May Sinclair and Dorothy Richardson; Naming the unnameable: Silence, mysticism, philosophy, religion; Silence and Maeterlinck; Mysticism, philosophy and the absolute; 'Breaking through the veil of sense': God and reality; 3 Visual Metaphors: Dorothy Richardson and H.D.; Seeing through representation I: The world as art; Seeing through representation II: The body as art; The composite image: Fidelity through multiplicity; Weaving; Cinematic form.
  • Soporific cinema and the creative collaboration of art and audienceInterlude; 4 Memory, Distance, Perspective; Psychology and the novel-.memoir: May Sinclair and Ford Madox Ford; 'Post-.war Freudianity': Trauma, repression and detachment; 'Disinterested contemplation': Dorothy Richardson's March Moonlight and the 'middles'; Gallery spaces: Memory and metaphor in Richardson and H.D.; Conclusion: 'Proust and Proust and Proust. Forwards, Backwards, Upside Down'; Works Cited; Index.

Ejemplares similares