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Literary impressionism : vision and memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair /
"Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"--
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Bloomsbury Academic,
2016.
|
| Colección: | Historicizing modernism.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000008i 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn948670302 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 160502s2016 nyu ob 001 0 eng | ||
| 010 | |a 2016019592 | ||
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| 019 | |a 959040482 |a 1167364109 |a 1259101268 | ||
| 020 | |a 9781474269063 |q (electronic bk.) | ||
| 020 | |a 1474269060 |q (electronic bk.) | ||
| 020 | |a 9781474269087 |q (online) | ||
| 020 | |a 1474269087 | ||
| 020 | |z 9781474269070 | ||
| 020 | |z 1474269079 | ||
| 020 | |z 9781474269056 |q (hardback) | ||
| 020 | |z 1474269052 |q (hardback) | ||
| 024 | 7 | |a 10.5040/9781474269087 |2 doi | |
| 029 | 1 | |a AU@ |b 000057385514 | |
| 035 | |a (OCoLC)948670302 |z (OCoLC)959040482 |z (OCoLC)1167364109 |z (OCoLC)1259101268 | ||
| 042 | |a pcc | ||
| 043 | |a e-uk-en |a n-us--- | ||
| 050 | 1 | 0 | |a PR471 |
| 072 | 7 | |a LIT |x 004120 |2 bisacsh | |
| 082 | 0 | 0 | |a 820.9/00912 |2 23 |
| 084 | |a LIT004120 |a LIT004290 |2 bisacsh | ||
| 049 | |a UAMI | ||
| 100 | 1 | |a Bowler, Rebecca, |e author. | |
| 245 | 1 | 0 | |a Literary impressionism : |b vision and memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair / |c Rebecca Bowler. |
| 263 | |a 1609 | ||
| 264 | 1 | |a New York : |b Bloomsbury Academic, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Historicizing modernism | |
| 520 | |a "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a Cover; Half Title; Series page; Title; Copyright; Contents; Acknowledgements; Introduction; 1 Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford; 'The thing perceived and herself perceiving': The double impression; Realism, impressionism and Henry James; Subjectivity and objectivity; Representing the unrepresentable I: Total experience and the distracted subject in Ford Madox Ford's Parade's End; Representing the unrepresentable II: Masculine blindness and feminine angles of vision in Dorothy Richardson's ... | |
| 505 | 8 | |a Selection and patterning: The impressionist text as tapestry2 Mystical Visions and Primary Perception: May Sinclair and Dorothy Richardson; Naming the unnameable: Silence, mysticism, philosophy, religion; Silence and Maeterlinck; Mysticism, philosophy and the absolute; 'Breaking through the veil of sense': God and reality; 3 Visual Metaphors: Dorothy Richardson and H.D.; Seeing through representation I: The world as art; Seeing through representation II: The body as art; The composite image: Fidelity through multiplicity; Weaving; Cinematic form. | |
| 505 | 8 | |a Soporific cinema and the creative collaboration of art and audienceInterlude; 4 Memory, Distance, Perspective; Psychology and the novel-.memoir: May Sinclair and Ford Madox Ford; 'Post-.war Freudianity': Trauma, repression and detachment; 'Disinterested contemplation': Dorothy Richardson's March Moonlight and the 'middles'; Gallery spaces: Memory and metaphor in Richardson and H.D.; Conclusion: 'Proust and Proust and Proust. Forwards, Backwards, Upside Down'; Works Cited; Index. | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Richardson, Dorothy M. |q (Dorothy Miller), |d 1873-1957 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Ford, Ford Madox, |d 1873-1939 |x Criticism and interpretation. |
| 600 | 0 | 0 | |a H. D. |q (Hilda Doolittle), |d 1886-1961 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Sinclair, May |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Ford, Ford Madox, |d 1873-1939. |2 fast |0 (OCoLC)fst00289558 |
| 600 | 0 | 7 | |a H. D. |q (Hilda Doolittle), |d 1886-1961. |2 fast |0 (OCoLC)fst00029182 |
| 600 | 1 | 7 | |a Richardson, Dorothy M. |q (Dorothy Miller), |d 1873-1957. |2 fast |0 (OCoLC)fst01716737 |
| 600 | 1 | 7 | |a Sinclair, May. |2 fast |0 (OCoLC)fst00007722 |
| 600 | 0 | 7 | |a H. D. |d 1886-1961 |2 gnd |
| 600 | 1 | 7 | |a Ford, Ford Madox |d 1873-1939 |2 gnd |
| 600 | 1 | 7 | |a Richardson, Dorothy Miller |d 1873-1957 |2 gnd |
| 600 | 1 | 7 | |a Sinclair, May |d 1863-1946 |2 gnd |
| 650 | 0 | |a English literature |y 20th century |x History and criticism. | |
| 650 | 0 | |a Impressionism in literature. | |
| 650 | 0 | |a Visual perception in literature. | |
| 650 | 0 | |a Memory in literature. | |
| 650 | 0 | |a Modernism (Literature) | |
| 650 | 0 | |a American literature |y 20th century |x History and criticism. | |
| 650 | 0 | |a Impressionism. | |
| 650 | 6 | |a Littérature anglaise |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Impressionnisme (Littérature) | |
| 650 | 6 | |a Perception visuelle dans la littérature. | |
| 650 | 6 | |a Mémoire dans la littérature. | |
| 650 | 6 | |a Modernisme (Littérature) | |
| 650 | 6 | |a Littérature américaine |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a Literature: history & criticism. |2 bicssc | |
| 650 | 7 | |a Literary studies: fiction, novelists & prose writers. |2 bicssc | |
| 650 | 7 | |a Literary studies: from c 1900. |2 bicssc | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Women Authors. |2 bisacsh | |
| 650 | 7 | |a Impressionism. |2 fast |0 (OCoLC)fst00968248 | |
| 650 | 7 | |a American literature. |2 fast |0 (OCoLC)fst00807113 | |
| 650 | 7 | |a English literature. |2 fast |0 (OCoLC)fst00911989 | |
| 650 | 7 | |a Impressionism in literature. |2 fast |0 (OCoLC)fst00968261 | |
| 650 | 7 | |a Memory in literature. |2 fast |0 (OCoLC)fst01787079 | |
| 650 | 7 | |a Modernism (Literature) |2 fast |0 (OCoLC)fst01024455 | |
| 650 | 7 | |a Visual perception in literature. |2 fast |0 (OCoLC)fst01168077 | |
| 650 | 7 | |a Erinnerung |g Motiv |2 gnd | |
| 650 | 7 | |a Impressionismus |2 gnd | |
| 650 | 7 | |a Vision |g Motiv |2 gnd | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Bowler, Rebecca. |t Literary impressionism. |d New York : Bloomsbury Academic, 2016 |z 9781474269056 |w (DLC) 2016005648 |
| 830 | 0 | |a Historicizing modernism. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1333532 |z Texto completo |
| 938 | |a Bloomsbury Publishing |b BLOO |n bpp09260464 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4676121 | ||
| 938 | |a EBSCOhost |b EBSC |n 1333532 | ||
| 938 | |a YBP Library Services |b YANK |n 13108400 | ||
| 938 | |a YBP Library Services |b YANK |n 13181102 | ||
| 994 | |a 92 |b IZTAP | ||