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Against immediacy : video art and media populism /
"Against Immediacy is a history of early video art considered in relation to television in the United States during the 1960s and 1970s. It examines how artists questioned the ways in which 'the people' were ideologically figured by the commercial mass media. During this time, artists...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hanover, New Hampshire :
Dartmouth College Press,
[2016]
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| Colección: | Interfaces, studies in visual culture.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kaizen, William, |e author. | |
| 245 | 1 | 0 | |a Against immediacy : |b video art and media populism / |c William Kaizen. |
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| 264 | 1 | |a Hanover, New Hampshire : |b Dartmouth College Press, |c [2016] | |
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| 490 | 1 | |a Interfaces, studies in visual culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Prelude: open circuits -- Participation television -- Talkback -- Video ecologies -- Coda: the apotheosis of video art. | |
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 520 | |a "Against Immediacy is a history of early video art considered in relation to television in the United States during the 1960s and 1970s. It examines how artists questioned the ways in which 'the people' were ideologically figured by the commercial mass media. During this time, artists and organizations including Nam June Paik, Juan Downey, and the Women's Video News Service challenged the existing limits of the one-to-many model of televisual broadcasting while simultaneously constructing more democratic, bottom-up models in which the people mediated themselves. Operating at the intersection between art history and media studies, Against Immediacy connects early video art and the rise of the media screen in gallery-based art to discussions about participation and the activation of the spectator in art and electronic media, moving from video art as an early form of democratic media practice to its canonization as a form of high art."--Publisher description | ||
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| 650 | 0 | |a Video art |z United States |y 20th century. | |
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| 650 | 6 | |a Télévision et art |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a Television and art |2 fast | |
| 650 | 7 | |a Video art |2 fast | |
| 651 | 7 | |a United States |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Kaizen, William. |t Against immediacy. |d Hanover, New Hampshire : Dartmouth College Press, [2016] |z 9781611689440 |w (DLC) 2016009521 |
| 830 | 0 | |a Interfaces, studies in visual culture. | |
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