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Women's experimental writing : negative aesthetics and feminist critique /
"Women's Experimental Writing considers six contemporary authors who use experimental methods and negative modes of critique in their fiction and feminism. The authors covered are Valerie Solanas, Kathy Acker, Theresa Cha, Chantel Chawaf, Jeanette Winterson, and Lynda Barry. These writers...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Half Title
- Also by
- Title
- Copyright
- Contents
- Introduction: Situating Negative Aesthetics
- 1 Apocalyptic Feminism: Negative Aesthetics in Valerie Solanas's SCUM Manifesto
- In the time of SCUM
- Reading SCUM Manifesto
- SCUM's feminist affects
- 2 Kathy Acker's Fatal Strategies
- Acker's anti-.narratives
- Acker's abject female bodies
- Acker's fatal strategies
- 3 "The Remnant Is the Whole"
- The longing in the faces of the lost
- She speaks her
- 4 Horrors of Power: Abjection and the "Monstrous-. Masculine" in Chantal Chawaf's Redemption
- Immersed in abjection
- Why approach abjection?
- 5 Suspending Gender
- Reading indeterminacy
- Reading indeterminately?
- What's indeterminacy got to do with it?
- What's loss got to do with it?
- 6 Becoming-. Girl/. Becoming-. Fly/. Becoming-. Imperceptible
- Becoming cruddy in the days of the father
- Becoming-.fly
- Becoming-.imperceptible
- Conclusion: From SCUM to Cruddy and Beyond
- Bibliography
- Index.