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Contested interpretations of the past in Polish, Russian, and Ukrainian film : screen as battlefield /
"Questions of collective identity and nationhood dominate the memory debate in both the high and popular cultures of postsocialist Russia, Poland and Ukraine. Often the "Soviet" and "Russian" identity are reconstructed as identical; others remember the Soviet regime as an an...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden, The Netherlands :
Rodopi,
[2016]
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| Colección: | Studies in Slavic literature and poetics ;
v. 60. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film: Screen as Battlefield; Copyright; Contents; Acknowledgements; A Note on Transliteration; Introduction; Between the Poetic and the Documentary: Ukrainian Cinema's Responses to World War II; "Wanna Be in the New York Times?": Epic History and War City as Global Cinema; At War: Polish-Russian Relations in Recent Polish Films; Displacement, Suffering and Mourning: Post-war Landscapes in Contemporary Polish Cinema.
- "I Am Afraid of this Land": The Representation of Russia in Polish Documentaries about the Smolensk Plane Crash"Nuclear Belonging": "Chernobyl" in Belarusian, Ukrainian (and Russian) films; From Empire to Smuta and back. The Mythopoetics of Cyclical History in Russian Film and TV-Documentaries; Tsar Peter, Mazepa and Ukraine: A Love Triangle. Iurii Illienko's A Prayer for hetman Mazepa; Encircling an Unrepresentable Past: The Aesthetic of Trauma in Karen Shakhnazarov's Dreams (1993); Index.