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The house, the world, and the theatre : self-fashioning and authorial spaces in the prefaces of Hawthorne, Dickens, and James /

The House, the World, and the Theatre departs from three ideologically resonant spatial metaphors to explore key aspects of nineteenth-century literature and culture. At the centre of the discussion is the way authors fashioned themselves to cater to ever-expanding audiences and to the new condition...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Cáffaro, Geraldo Magela
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2016.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The house, the world, and the theatre :  |b self-fashioning and authorial spaces in the prefaces of Hawthorne, Dickens, and James /  |c by Geraldo Magela Cáffaro. 
260 |a Newcastle upon Tyne, UK :  |b Cambridge Scholars Publishing,  |c 2016. 
300 |a 1 online resource (xxiii, 160 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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504 |a Includes bibliographical references (pages 149-160). 
505 0 |a Foreword: Donatella Izzo -- Introduction: The Prefactory Site and the Construction of Authorship -- Preface History and Theory -- Hawthorne, Dickens, James, and the "Destiny of Their Images"" -- Authorship, Self-fashioning, and Authorial Spaces -- The Preface as House: Privacy, Intimacy, Domesticity and Origin -- "Citizens of Somewhere Else:" Dislocated Selves in the Prefaces of Hawthorne, Dickens, and James -- The Preface-Turned-Stage: Authorial Performance and "The Theatre of Images". 
520 |a The House, the World, and the Theatre departs from three ideologically resonant spatial metaphors to explore key aspects of nineteenth-century literature and culture. At the centre of the discussion is the way authors fashioned themselves to cater to ever-expanding audiences and to the new conditions of publishing. The prefaces of Hawthorne, Dickens, and James illustrate the conflicts underlying the new forms of self-definition in the nineteenth century and mediate the perception of authorship as a category that blurs the boundaries between social life and performance. This book combines genre. 
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600 1 0 |a Hawthorne, Nathaniel,  |d 1804-1864. 
600 1 0 |a Dickens, Charles,  |d 1812-1870. 
600 1 0 |a James, Henry,  |d 1843-1916. 
600 1 7 |a Dickens, Charles,  |d 1812-1870.  |2 fast  |0 (OCoLC)fst00028294 
600 1 7 |a Hawthorne, Nathaniel,  |d 1804-1864.  |2 fast  |0 (OCoLC)fst00030387 
600 1 7 |a James, Henry,  |d 1843-1916.  |2 fast  |0 (OCoLC)fst00028686 
650 0 |a Prefaces. 
650 6 |a Préfaces. 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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