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|a UAMI
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|a Kim, Jihoon,
|e author.
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|a Between film, video, and the digital :
|b hybrid moving images in the post-media age /
|c Jihoon Kim.
|
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|
1 |
|a New York, NY :
|b Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc,
|c 2016.
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|c ©2016
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|a 1 online resource (xxiv, 381 pages)
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|a International texts in critical media aesthetics ;
|v volume 10
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504 |
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|a Includes bibliographical references and index.
|
520 |
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|a "A wide-ranging theoretical and aesthetic exploration of hybrid moving images based on the intersection of film, video, and digital technology"--
|c Provided by publisher
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0 |
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|a Online resource; title from digital title page (viewed on May 26, 2016).
|
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|a Introduction: Hybrid Moving Images and the Post-media Conditions -- Chapter 1: Videographic Moving Pictures: Remediating the "Film Stilled" and the "Still Film" -- Chapter 2: Digital Glitch Video and Mixed-media Abstraction: Materialism and Hybrid Abstraction in the Digital Age -- Chapter 3: Transitional Found Footage Practices: Video In and Out of the Cinematic Fragments -- Chapter 4: Intermedial Essay Films: "Memories-in-Between" -- Chapter 5: Cinematic Video Installations: Hybridized Apparatuses inside the Black Box -- Afterword.
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|a Motion pictures
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|a Digital media
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|a Image processing
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|a Médias numériques
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|a Traitement d'images
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|a Cinéma
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|i Print version:
|a Kim, Jihoon author.
|t Between film, video, and the digital.
|d New York : Bloomsbury Academic, 2016
|z 9781628922936
|w (DLC) 2015049419
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|a International texts in critical media aesthetics ;
|v v. 10.
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