Cargando…
Figuring the Past: Period Film and the Mannerist aesthetic
| Autor principal: | |
|---|---|
| Formato: | eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam University Press,
2012.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Fragments and Figures
- An International Genre
- Mannerism: The Possibilities of a Conservative Aesthetic
- ch. 1 A Poetics of Figuration
- The Belated Moment of Mannerism
- Pastiche and the Reality Effect
- From the Figurative to the Figural
- Classical/Post-classical: Adaptation, Film Writing and the Technological Narrative
- Credits Roll: The Figure as Threshold
- ch. 2 Present in the Past: The House
- Nostalgia Interrupted: The House and its Ghosts
- Home and (Dis)Inheritance: Howards End
- The Collector and the House-Museum: The Golden Bowl and End of Period
- Melodrama and the Descriptive Mode: The Age of Innocence
- Fidelity to the Past and the Melancholic Imagination: Woman as Ghost
- The House of Mirth or, Time and Woman
- ch. 3 Time and the Image: The Tableau
- Still Images/Moving Narratives: The Tableau Effect
- The Shot-Tableau: From Pregnant Moment to Hieroglyph
- The Portrait as Fetish
- Portraits and Tableaux in the Feminist Imagination
- Deframings: The Portrait of a Lady
- Double-Framing the Mythologies of the Female Artist: Artemisia
- Vision, Blindness and the Displacement of Trauma
- The Governess or, the Woman in Camera
- ch. 4 The Scene of Writing: The Letter
- Textual Erotics: Reading the Letter as Object and Figure
- The Letter that Arrives Too Late: Figuration and Melodramatic Temporality
- Letters and Spatial Displacement
- The Love Letter and the Queer Encounter: Onegin
- Imaginary Landscapes of Loss: To Those Who Love
- Truncated Narratives, Textual Possibilities: Atonement and the Interrupted Histories of the European Period Film.