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Not born digital : poetics, print literacy, new media /

"Not Born Digital addresses from multiple perspectives - ethical, historical, psychological, conceptual, aesthetic - the vexing problems and sublime potential of disseminating lyrics, the ancient form of transmission and preservation of the human voice, in an environment in which e-poetry and d...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Morris, Daniel, 1962- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2016.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Morris, Daniel,  |d 1962-  |e author. 
245 1 0 |a Not born digital :  |b poetics, print literacy, new media /  |c Daniel Morris. 
264 1 |a New York :  |b Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc,  |c 2016. 
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520 |a "Not Born Digital addresses from multiple perspectives - ethical, historical, psychological, conceptual, aesthetic - the vexing problems and sublime potential of disseminating lyrics, the ancient form of transmission and preservation of the human voice, in an environment in which e-poetry and digitalized poetics pose a crisis (understood as opportunity and threat) to traditional page poetry. The premise of Not Born Digital is that the innovative contemporary poets studied in this book engage obscure and discarded, but nonetheless historically resonant materials to unsettle what Charles Bernstein, a leading innovative contemporary U.S. poet and critic of "official verse culture," refers to as "frame lock" and "tone jam." While other scholars have begun to analyze poetry that appears in new media contexts, Not Born Digital concerns the ambivalent ways page poets (rather than electronica based poets) have grappled with "screen memory" (that is, electronic and new media sources) through the re-purposing of "found" materials"--  |c Provided by publisher 
520 |a "Breaks new ground by evoking framework models of art theory to approach innovative U.S. poetry, with special emphasis on 21st-century examples of conceptual authors whose "found" material first appeared in new media contexts"--  |c Provided by publisher 
504 |a Includes bibliographical references and index. 
588 0 |a Online resource; title from digital title page (viewed on June 21, 2016). 
505 0 |a Cover; Half Title; Title; Copyright; Contents; Introduction Not Born Digital: Poetics, Print Literacy, New Media; 1 Medium as Messenger: Hannah Weiner Anchors the Social Poetics of 1986 in Weeks; 2 A Blizzard of Snowflakes: Kenneth Goldsmith as Conceptualist at the Cusp of a Digital Age in Soliloquy; I. Warhol Redux? The work of the artist in the age of webs; II. Doing the unthinkable: Actually reading Soliloquy; III. Un-theorizing Soliloquy and Goldsmith's passion for craft; 3 (In)decisive Moments and Bad Conceptual Art: On Kenneth Goldsmith's Seven American Deaths and Disasters 
505 8 |a I. The (in)decisive momentII. Bad conceptual art (is the new good); III. Wake up and smile; IV. The meat the butcher brings home; V. Is there some way to close these doors?; VI. Conclusion: Let us return to the tonight show; 4 "The wound track shows deeper hemorrhage": Kenneth Goldsmith's "The Body of Michael Brown" as The Eighth American Disaster; 5 Gaps in the Machine: Andrei Codrescu's Unarchival Poetics; I. Bibliodeath: What is an archive in a digital era?; 6 "Needing to Summon the Others": Archival Research as Séance in Susan Howe's Spontaneous Particulars 
505 8 |a 7 Bad Company, Meet Sonic Youth: On Noah Eli Gordon's inbox: Social Media, Post Language Conceptual Poetics, and the Ethics of I. Notes on punk subcultural community building: Bob Mould's See a Little Light; II. Punk subculture in inbox; CODA: inbox and the Patriot Act; 8 A Tonalism, Synaesthesia, Translation, and Post-. Ableism in The Route; 9 What Makes Poetry Happen: The Erotics of Literary Activism in an Age of Internet Virus; Bibliography; Index 
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