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EBSCO_ocn936117722 |
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|a UAMI
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100 |
1 |
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|a Oksman, Tahneer,
|e author.
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245 |
1 |
0 |
|a How come boys get to keep their noses? :
|b women and Jewish American identity in contemporary graphic memoirs /
|c Tahneer Oksman.
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264 |
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1 |
|a New York :
|b Columbia University Press,
|c [2016]
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300 |
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
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|a online resource
|b cr
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|a text file
|b PDF
|2 rda
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1 |
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|a Gender and culture
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|a Includes bibliographical references and index.
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|a Vendor-supplied metadata.
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|t Frontmatter --
|t Contents --
|t Acknowledgments --
|t Introduction: "To Unaffiliate Jewishly" --
|t 1. "My Independent Jewish Monster Temperament": The Serial Selves of Aline Kominsky Crumb --
|t 2. "What Would Make Me the Most 'Myself'": Self-Creation and Self-Exile in Vanessa Davis's Diary and Autobiographical Comics --
|t 3. "I Always Want to Know Everything True": Memory, Adolescence, and Belonging in the Graphic Memoirs of Miss Lasko-Gross and Lauren Weinstein --
|t 4. "But you don't live here, so what's the dilemma?": Birthright and Accountability in the Geographics of Sarah Glidden and Miriam Libicki --
|t Conclusion--"Where are they now?": Translation and Renewal in Liana Finck's A Bintel Brief --
|t Notes --
|t Bibliography --
|t Index.
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|a American comics reflect the distinct sensibilities and experiences of the Jewish American men who played an outsized role in creating them, but what about the contributions of Jewish women? Focusing on the visionary work of seven contemporary female Jewish cartoonists, Tahneer Oksman draws a remarkable connection between innovations in modes of graphic storytelling and the unstable, contradictory, and ambiguous figurations of the Jewish self in the postmodern era. Oksman isolates the dynamic Jewishness that connects each frame in the autobiographical comics of Aline Kominsky Crumb, Vanessa Davis, Miss Lasko-Gross, Lauren Weinstein, Sarah Glidden, Miriam Libicki, and Liana Finck. Rooted in a conception of identity based as much on rebellion as identification and belonging, these artists' representations of Jewishness take shape in the spaces between how we see ourselves and how others see us. They experiment with different representations and affiliations without forgetting that identity ties the self to others. Stemming from Kominsky Crumb's iconic 1989 comic "Nose Job," in which her alter ego refuses to assimilate through cosmetic surgery, Oksman's study is an arresting exploration of invention in the face of the pressure to disappear.
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546 |
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|a In English.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
|
0 |
|a Graphic novels
|x History and criticism.
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650 |
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0 |
|a Jewish women in comics.
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650 |
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0 |
|a Autobiography in literature.
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650 |
|
0 |
|a Jews
|z United States
|x Identity.
|
650 |
|
0 |
|a American literature
|x Women authors
|x History and criticism.
|
650 |
|
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|a Comic books, strips, etc.
|x History and criticism.
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650 |
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0 |
|a Women in comics.
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650 |
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|a Jewish women in literature.
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650 |
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|a Women in literature.
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650 |
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6 |
|a Romans graphiques
|x Histoire et critique.
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650 |
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|a Juives dans la littérature.
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650 |
|
6 |
|a Autobiographie dans la littérature.
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650 |
|
6 |
|a Juifs
|z États-Unis
|x Identité.
|
650 |
|
6 |
|a Écrits de femmes américains
|x Histoire et critique.
|
650 |
|
6 |
|a Femmes dans la littérature.
|
650 |
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|a ART
|x Techniques
|x Drawing.
|2 bisacsh
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7 |
|a LITERARY CRITICISM
|x Comics & Graphic Novels.
|2 bisacsh
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650 |
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|a LITERARY CRITICISM
|x Jewish.
|2 bisacsh
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650 |
|
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|a American literature
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650 |
|
7 |
|a Autobiography in literature
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650 |
|
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|a Comic books, strips, etc.
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650 |
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|a Graphic novels
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650 |
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|a Jewish women in literature
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650 |
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|a Jews
|x Identity
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650 |
|
7 |
|a Women in literature
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651 |
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|a United States
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Erscheint auch als:
|n Druck-Ausgabe
|a Oksman, Tahneer. "How Come Boys Get to Keep Their Noses?" .
|t Women and Jewish American Identity in Contemporary Graphic Memoirs
|
830 |
|
0 |
|a Gender and culture.
|
856 |
4 |
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