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Schoenberg and Hollywood modernism
Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. In this book Kenneth H. Marcus shows that in fact Schoenberg's connections to Hollywood ran deep, and most of the composer's exile compositions had some connection to the cultural and intellectual environment...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Half title
- Title
- Copyright
- Dedication
- Contents
- List of figures
- List of maps
- List of music examples
- Acknowledgments
- List of abbreviations
- Introduction
- Part I: Modernism in Southern California, 1913-1944
- 1 Early Modernism in Southern California, 1913-1933
- 2 Hollywood and exile
- 3 The road to Westwood: from USC to UCLA
- Part II: The private and public spheres, 1936-1951
- 4 The private world of Schoenberg
- 5 Judaism revisited: Schoenberg's Jewish works
- 6 War, nationalism, and anticommunism
- 7 Troubles in paradise: the final years
- Conclusion
- Appendices
- 1 List of works in exile, 1934-1950
- 2 Text to Arnold Schoenberg, Kol Nidre, Op. 39
- 3 Text to Arnold Schoenberg, A Survivor from Warsaw, Op. 46
- 4 Text to Arnold Schoenberg, Ode to Napoleon Buonaparte, Op. 41, by Lord Byron
- 5 Bertolt Brecht, Letter and poem, "Und in eurem Lande?," to Arnold Schoenberg for his 68th birthday (1942)
- Notes
- Bibliography
- Index.