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Seeing Motion : a History of Visual Perception in Art and Science /

Der zentrale Fokus dieser Publikation ist die Synthese von Wissenschaft und Kunst im Bereich der visuellen Wahrnehmung, insbesondere der Einfluss der im 19. Jahrhundert einsetzenden Wahrnehmungsforschung zu Illusionen, kinetischen Scheinfiguren und Scheinbewegungen auf die apparative/ maschinelle, k...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schuler, Romana Karla (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: De Gruyter : De Gruyter, 2015.
Colección:Edition Die Angewandte, University Press.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • TABLE OF CONTENTS ; PREFACE: On Theories and Art in Visualizing (Apparent)-Motion ; Acknowledgements ; PART 1: On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality ; Seeing as a Scientific Topic ; The Beginnings of the Study of Apparent Motion.
  • An Individual Way of Seeing: Jan Evangelista Purkinje The Explanation of an Optical Illusion: Peter Mark Roget ; The First Motion Picture Machine: Joseph Plateau ; The Phenakistoscope or the Stroboscopic Disk ; Inventions with Stroboscopic Effects ; The Talbot-Plateau law of 1834/35.
  • Gustav Theodor Fechner's Subjective colors Four notes on Afterimages ; Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope ; Zöllner's Illusion ; Reflections on Zöllner's Illusion: Wilhelm Filehne.
  • Hermann helmholtz and the new Physiological optics in the nineteenth century helmholtz's Experiments on Visual Sensations ; Ernst Brücke: The Advantage of Intermittent Retina Stimuli ; Josef czermak: Thoughts on Speed during Motional Illusions.
  • The Influence of Psychophysics on Mach's Experiments Mach's Series of Experiments on light Stimulus on the Retina ; Mach's Experiments on Sensation of Movement and Afterimages of Movement ; Studies in Movement: The Mach Drum.