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Michelangelo in the new millennium : conversations about artistic practice, patronage and Christianity /

Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo's art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist's formal borrowin...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Smithers, Tamara (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Boston : Brill, 2016.
Colección:Brill's studies in intellectual history ; v. 254.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 14.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Brill's studies in intellectual history ;  |v VOLUME 254 
490 1 |a Brill's studies on art, art history, and intellectual history ;  |v VOLUME 14 
504 |a Includes bibliographical references (pages 224-225) and index. 
505 0 |a Introduction. Michelangelo in the New Millennium / Tamara Smithers -- Artistic Mobility. Site-Specificity / Joost Keizer -- Michelangelo's Strozzi Tondo?: Securing Status with Art / Eric R. Hupe -- Syncretic Seers. The Pitti Tondo: A "Sibylline" Madonna / Emily Fenichel -- Christ-Bearers and Seers of the Period Ante Legem: On the Male Nudes in Michelangelo's Doni Tondo and Sistine Ceiling Frescoes / Jonathan Kline -- Papal Patronage: The Pauls. Virtuous Prelates, Burdensome Relics and a Sliver of Gold in the Last Judgment / Erin Sutherland Minter -- Michelangelo the "Lefty": The Cappella Paolina, the Expulsion Drawings, and Marcello Venusti / Margaret Kuntz -- Coda. Michelangelo's Suicidal Stone / Tamara Smithers -- Epilogue. Twenty-first Century Versus Twentieth Century Methodologies / Marcia B. Hall. 
588 0 |a Print version record and CIP data provided by publisher; resource not viewed. 
520 |a Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo's art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist's formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall. 
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