Critical craft : technology, globalization, and capitalism /

"From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Wilkinson-Weber, Clare M. (Clare Megan) (Editor ), DeNicola, Alicia Ory (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2016.
Temas:
Material culture.
Artisans.
Handicraft industries.
Folk art.
Workmanship.
Culture matérielle.
Entreprises artisanales.
Art populaire.
Qualité du travail.
material culture (discipline)
craftsmen.
History of art > art & design styles.
Handicrafts, decorative arts & crafts.
Anthropology.
SOCIAL SCIENCE > Anthropology > General.
ART > General.
POLITICAL SCIENCE > Public Policy > Cultural Policy.
SOCIAL SCIENCE > Anthropology > Cultural.
SOCIAL SCIENCE > Popular Culture.
Konsthantverk > teori, filosofi.
Science.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Machine generated contents note:
  • 1: Introduction
  • Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA
  • SECTION ONE: Claims
  • 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico
  • Alanna Cant, University of Oslo, Norway
  • 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems
  • Richard Beckwith, Intel Corporation, USA
  • 4: Arts and Crafts as a Lived Aesthetic
  • Fran Mascia-Lees, Rutgers University, USA
  • 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India
  • Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA
  • 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft
  • Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums
  • 7. We Have Never Been Analog: Situating the Study of Digital Crafts
  • Lane DeNicola, Emory University, USA
  • 8: Crafting Good Chocolate in France and the US
  • Susan Terrio, Georgetown University, USA
  • 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers
  • Myriem Naji, University College London, UK
  • 10: Refashioning a Global Craft Commodity Flow from the Central Philippines
  • B. Lynne Milgram, OCAD University, Canada
  • SECTION THREE: Conflicts
  • 11: Modern Craft: Locating the Material in a Digital Age
  • Daniela Rosner, University of Washington, USA
  • 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft
  • Geoffrey Gowlland, University of Oslo, Norway
  • 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City
  • Elisha Renne, University of Michigan, USA
  • 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities
  • Mira Mohsini, Kalamazoo College, USABibliography
  • Index
  • 1: Introduction: Taking Stock of Craft in Anthropology
  • Alicia Ory DeNicola, Oxford College of Emory University, USA and Clare M. Wilkinson-Weber, Washington State University Vancouver, USA
  • Part I: Contentions
  • 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico
  • Alanna Cant, University of Oslo, Norway
  • 3: Forging Source: Considering the Craft of Computer Programming
  • Lane DeNicola, Emory University, USA
  • 4: American Beauty: The Middle Class Arts and Crafts Revival in the United States
  • Frances E. Mascia-Lees, Rutgers University, USA
  • 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India
  • Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA
  • 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft
  • Millaray Villalobos, Dirección General de Migración y Extranjería, Costa Rica
  • Part II: Conundrums
  • 7: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems
  • Dawn Nafus and Richard Beckwith, Intel Corporation, USA
  • 8: Crafting Good Chocolate in France and the US
  • Susan Terrio, Georgetown University, USA
  • 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers
  • Myriem Naji, University College London, UK
  • 10: Refashioning a Global Craft Commodity Flow from the Central Philippines
  • B. Lynne Milgram, OCAD University, Canada
  • Part III: Conflicts
  • 11: ConflictingIdeologiesof the DigitalHand: Locating the Material in a Digital Age
  • Daniela Rosner, University of Washington, USA
  • 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft
  • Geoffrey Gowlland, University of Oslo, Norway
  • 13: Craft, Memory and Loss: Hand-Embroidery in Zaria City, Nigeria
  • Elisha Renne, University of Michigan, USA
  • 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities
  • Mira Mohsini, Kalamazoo College, USA
  • Notes
  • References
  • Index

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