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Rock 'n' film : cinema's dance with popular music /
In the mid-1950s, rock 'n' roll amalgamated earlier black and white working-class musical traditions to displace the Great American Songbook's hegemony over Anglophone popular music. At the same time, the classic musical was both displaced and re-created in a new form of film: the roc...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
[2016]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a James, David E., |d 1945- |e author. | |
| 245 | 1 | 0 | |a Rock 'n' film : |b cinema's dance with popular music / |c David E. James. |
| 246 | 3 | 0 | |a Rock and film |
| 264 | 1 | |a New York : |b Oxford University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed October 26, 2015). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: rock 'n' film -- Absolute beginnings: Blackboard jungle -- Jukebox musicals -- Dirty stars: Jayne Mansfield and Kenneth Anger -- Rock 'n' roll noir: Elvis before the army -- Sunshine Elvis: The devil in disguise (inc morphology of the Elvis movie) -- Back in the UK: the English Elvises -- Beatles I: Richard Lester and A hard day's night -- Beatles II: next morning -- Bringing it all back home: toward the folk documentary -- D.A. Pennebaker: documentary from folk to folk rock and rock -- Utopia and its discontents: Woodstock -- The Rolling Stones I: the greatest rock 'n' film band in the world -- Mick Jagger, demon brother -- The Rolling Stones II: the U.S. tours, from concert film to film concert: Back to black : soul -- And white: country -- Retrospection and reflexivity: rock 'n' film suicide. | |
| 520 | 8 | |a In the mid-1950s, rock 'n' roll amalgamated earlier black and white working-class musical traditions to displace the Great American Songbook's hegemony over Anglophone popular music. At the same time, the classic musical was both displaced and re-created in a new form of film: the rock 'n' roll musical. For the next two decades, the genre's evolution in the United States and the United Kingdom accompanied and sustained the emergence, flowering, and decay of a counterculture. Cinema was second only to records in the production of the new cultural gestalt that the music generated. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Rock films |x History and criticism. | |
| 650 | 0 | |a Motion pictures and rock music. | |
| 650 | 6 | |a Films de rock |x Histoire et critique. | |
| 650 | 6 | |a Cinéma et rock. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures and rock music |2 fast | |
| 650 | 7 | |a Rock films |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a James, David E. |t Rock 'N' Film : Cinema's Dance With Popular Music. |d Oxford : Oxford University Press, ©2015 |z 9780199387595 |
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