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|a Schaefer, Jerome P.,
|e author.
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|a An edgy realism :
|b film theoretical encounters with Dogma 95, new French extremity, and the shaky-cam horror film /
|c by Jerome P. Schaefer.
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|a Newcastle upon Tyne :
|b Cambridge Scholars Publishing,
|c [2015]
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|c ©2015
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|a 1 online resource
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|a Print version record.
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|a Includes bibliographical references and index.
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|a Similar to the way in which the new waves of the 1960s and 1970s had been characterized by new forms of cinematic realism, cinema since the turn of the millennium has pointed into the direction of a new, edgy realism. Art film movements such as Dogma 95 and the New French Extremity, as well as shaky-cam horror films like The Blair Witch Project and Paranormal Activity, provide evidence of the fact that the proliferation of the digital since the 1990s has profoundly changed not only contemporary media culture and the social role of film, as seen, for example, in the case of amateur film and the.
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|a Realism in motion pictures.
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650 |
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|a Motion pictures
|z France
|x History and criticism.
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|a Horror films
|x History and criticism.
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|a Réalisme au cinéma.
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|a Cinéma
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|x Histoire et critique.
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|a Films d'horreur
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|a Films, cinema.
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|a Film theory & criticism.
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|a Film: styles & genres.
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|a PERFORMING ARTS
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|a Horror films
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|a Realism in motion pictures
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|a Criticism, interpretation, etc.
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776 |
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|i Print version:
|a Schaefer, Jerome P.
|t Edgy realism.
|d Newcastle upon Tyne : Cambridge Scholars Publishing, 2015
|z 1443880175
|w (OCoLC)916142535
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