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Art rethought : the social practices of art /
Most philosophers of art of the modern period have concentrated their attention on engaging works of the arts as objects of disinterested aesthetic attention, and on the works that reward that modern of engagement, virtually ignoring the many other ways in which we engage works of the arts. The argu...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford :
Oxford University Press,
2015.
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| Edición: | First edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 072 | 7 | |a ART |2 ukslc | |
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| 100 | 1 | |a Wolterstorff, Nicholas, |e author. | |
| 245 | 1 | 0 | |a Art rethought : |b the social practices of art / |c Nicholas Wolterstorff. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Oxford : |b Oxford University Press, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Most philosophers of art of the modern period have concentrated their attention on engaging works of the arts as objects of disinterested aesthetic attention, and on the works that reward that modern of engagement, virtually ignoring the many other ways in which we engage works of the arts. The argument of this book is that it is important for philosophers to expand their attention and discuss as well the more important of those other ways in which we engage works of the arts. | |
| 588 | 0 | |a Online resource; title from home page (viewed on August 18, 2015). | |
| 505 | 0 | |a Cover; Art Rethought: The Social Practices of Art; Copyright; Preface; Contents; Chapter Introduction; PART ONE: THE GRAND NARRATIVE OF ART IN THE MODERN WORLD; Chapter 1: The Early Modern Revolution in the Arts; Art for contemplation; The birth of a concept; Disinterestedness; The emergence of an institutional base; The elitism; Shiner's alternative story; Chapter 2: Why the Revolution?; Chapter 3: The Grand Narrative and the Grand Narrative Theses; The art-historical thesis: the arts coming into their own; The sociological thesis: the arts as socially other and transcendent | |
| 505 | 8 | |a Chapter 4: Wherein Lies the Worth of Disinterested Attention?Other ways of accounting for the worth of disinterested attention; Chapter 5: Art, Religion, and the Grand Narrative; Works of the arts as God-surrogates; Works of the arts as revelatory of divinity; Art as salvific; The artist as a creator like unto God; In conclusion; PART TWO: WHY THE GRAND NARRATIVE HAS TO GO; Chapter 6: The Inapplicability of the Grand Narrative to Recent Art ; The idea and origins of art history; The end of art history; Review; Chapter 7: Why the Grand Narrative Never Was Tenable | |
| 505 | 8 | |a On the claim that to engage a work of the arts disinterestedly, one must engage it as an object of attentive viewing, listening, or readingOn the claim that the arts come into their own insofar as we engage works of the arts disinterestedly; On the claim that art for disinterested attention is unique in being socially other and transcendent; An objection; On the claim that the absence of external causal finality implies purely internal finality; PART THREE: A NEW FRAMEWORK FOR THINKING ABOUT THE ARTS; Chapter 8: The Arts as Social Practices; Modes of engagement and social practices | |
| 505 | 8 | |a An exampleInternal vs. external goods; The arts as social practices; Should we be using some other concepts?; Is our social-practice framework for thinking about art a version of pragmatist aesthetics?; Afterword; Chapter 9: Meaning of Works of the Arts and of Artworks; Act-meaning; Maker-meaning and social practice-meaning; Maker-meaning and social practice-meaning in art; Other modes of meaning; Employing the framework; The problematic status of maker-meaning; Three kinds of art history; PART FOUR: MEMORIAL ART; Chapter 10: The Social Practices of Memorial Art | |
| 505 | 8 | |a An example of memorial art criticismWhat is a memorial?; Do memorials always honor?; Paying honor; The selectivity of paying honor; Paying honor is not a basic action; Fittingness; Memorials, honoring, and memory; Remembering in order to honor; Works of the arts as memorials; Religious memorials; Chapter 11: The Memorial Meaning of the Mural Art of Belfast; The Belfast mural paintings and their social and political context; The Belfast unionist memorials; The Belfast nationalist memorials; Peace and the polemic of the memorials; PART FIVE: ART FOR VENERATION | |
| 546 | |a English. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2021. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2021. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Art and society. | |
| 650 | 0 | |a Art |x Philosophy. | |
| 650 | 6 | |a Art et société. | |
| 650 | 6 | |a Art |x Philosophie. | |
| 650 | 7 | |a 20.05 art in relation with other areas of culture: general. |0 (NL-LeOCL)077594673 |2 bcl | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a Arts and society. |2 cct | |
| 650 | 7 | |a Art |x Sociological aspects. |2 cct | |
| 650 | 7 | |a Aesthetics |x Philosophy. |2 cct | |
| 650 | 7 | |a Art and Design. |2 eflch | |
| 650 | 7 | |a Art and society |2 fast | |
| 650 | 7 | |a Art |x Philosophy |2 fast | |
| 650 | 7 | |a Ästhetik |2 gnd | |
| 650 | 7 | |a Gesellschaft |2 gnd | |
| 650 | 7 | |a Gesellschaftskritik |2 gnd | |
| 650 | 7 | |a Kunst |2 gnd | |
| 650 | 7 | |a Kunstsoziologie |2 gnd | |
| 650 | 7 | |a Soziale Funktion |2 gnd | |
| 650 | 7 | |a Soziales System |2 gnd | |
| 650 | 7 | |a Fine Arts - General. |2 hilcc | |
| 650 | 7 | |a Art, Architecture & Applied Arts. |2 hilcc | |
| 650 | 7 | |a Art |x Sociological aspects. |2 nli | |
| 650 | 7 | |a Aesthetics. |2 nli | |
| 650 | 7 | |a Art and Design. |2 ukslc | |
| 776 | 0 | 8 | |i Print version: |z 9780198747758 |
| 776 | 0 | 8 | |i Print version: |a Wolterstorff, Nicholas. |t Art rethought. |d Oxford : Oxford University Press, 2015 |z 9780198747758 |w (OCoLC)925359804 |
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