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The flesh of images : Merleau-Ponty between painting and cinema /
In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular pres...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Albany :
State University of New York Press,
[2015]
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| Colección: | SUNY series in contemporary continental philosophy.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction : The flesh and the thinking of the visual today
- Flesh : towards the history of a misunderstanding
- It takes a long time to become wild : Gauguin according to Merleau-Ponty, Merleau-Ponty according to Gauguin
- 'Making visible' : Merleau-Ponty and Paul Klee
- The philosopher and the moviemaker : Merleau-Ponty and cinematic thinking
- The light of the flesh : anti-platonistic instances and neoplatonic traces in the later Merleau-Ponty's thinking
- The sensible ideas between life and philosophy.