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The flesh of images : Merleau-Ponty between painting and cinema /

In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular pres...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Carbone, Mauro, 1956- (Autor)
Otros Autores: Nijhuis, Marta, 1983- (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Albany : State University of New York Press, [2015]
Colección:SUNY series in contemporary continental philosophy.
Temas:
Acceso en línea:Texto completo

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