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Ohne Worte : vocality and instrumentality in 19th-century music /

What can music tell us - without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In this book five scholars and performers probe these and related questio...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Torbianelli, Edoardo, 1970- (Autor), Roudet, Jeanne (Autor), Bartoli, Jean-Pierre (Autor), Seaton, Douglass (Autor), Mossburger, Hubert (Autor)
Otros Autores: Brooks, William, 1943- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leuven : Leuven University Press, 2014.
Colección:Collected writings of the Orpheus Institute ; #12.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Torbianelli, Edoardo,  |d 1970-  |e author. 
245 1 0 |a Ohne Worte :  |b vocality and instrumentality in 19th-century music /  |c Edoardo Torbianelli, Jeanne Roudet, Jean-Pierre Bartoli, Douglas Seaton, Hubert Moßburger ; edited by William Brooks. 
264 1 |a Leuven :  |b Leuven University Press,  |c 2014. 
264 4 |c ©2014 
300 |a 1 online resource (227 pages) :  |b music 
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490 1 |a Collected writings of the Orpheus Institute ;  |v #12 
504 |a Includes bibliographical references. 
505 0 |a Playing with images : character and emotion in the age of romanticism / Edoardo Torbianelli -- "Inner voices' and "deep combinations" : Robert Schumann's approach to romantic polyphony / Hubert Moßburger -- Frédéric Chopin, Clara Schuman, and the singing piano school / Jeanne Roudet -- Vocal patterns in the themes of Berlioz's instrumental music / Jean-Pierre Bartoli -- Plot and narrative in Mendelssohn's chamber music for strings and piano / Douglass Seaton -- Robert Schumann's poetic paraphrases : analytical implications / Hubert Moßburger. 
520 8 |a What can music tell us - without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In this book five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental. 
588 0 |a Print version record. 
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650 0 |a Instrumental music  |z Europe  |y 19th century  |x History and criticism. 
650 0 |a Composers  |z Europe. 
650 6 |a Musique vocale  |z Europe  |y 19e siècle  |x Histoire et critique. 
650 6 |a Musique instrumentale  |z Europe  |y 19e siècle  |x Histoire et critique. 
650 6 |a Compositeurs  |z Europe. 
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650 7 |a Vocal music  |2 fast 
651 7 |a Europe  |2 fast 
648 7 |a 1800-1899  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Roudet, Jeanne,  |e author. 
700 1 |a Bartoli, Jean-Pierre,  |e author. 
700 1 |a Seaton, Douglass,  |e author. 
700 1 |a Mossburger, Hubert,  |e author. 
700 1 |a Brooks, William,  |d 1943-  |e editor. 
776 0 8 |i Print version:  |a Torbianelli, Edoardo, 1970-  |t Ohne Worte  |z 9789058679987  |w (OCoLC)871243673 
830 0 |a Collected writings of the Orpheus Institute ;  |v #12. 
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