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Making and unmaking intellectual property : creative production in legal and cultural perspective /
Rules regulating access to knowledge are no longer the exclusive province of lawyers and policymakers and instead command the attention of anthropologists, economists, literary theorists, political scientists, artists, historians, and cultural critics. This burgeoning interdisciplinary interest in &...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago ; London :
The University of Chicago Press,
[2011]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Making and unmaking intellectual property : |b creative production in legal and cultural perspective / |c edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee. |
| 264 | 1 | |a Chicago ; |a London : |b The University of Chicago Press, |c [2011] | |
| 264 | 4 | |c ©2011 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed August 7, 2015). | |
| 520 | |a Rules regulating access to knowledge are no longer the exclusive province of lawyers and policymakers and instead command the attention of anthropologists, economists, literary theorists, political scientists, artists, historians, and cultural critics. This burgeoning interdisciplinary interest in "intellectual property" has also expanded beyond the conventional categories of patent, copyright, and trademark to encompass a diverse array of topics ranging from traditional knowledge to international trade. Though recognition of the central role played by "knowledge economies" has increased, the. | ||
| 505 | 0 | 0 | |g I. |t High and Low: IP Practices and Materialities -- |g 1. |t Patent Specification and Political Representation: How Patents Became Rights / |r Mario Biagioli -- |g 2. |t Authoring an Invention: Patent Production in the Nineteenth-Century United States / |r Kara W. Swanson -- |g 3. |t "Person Skilled in the Art" Is Really Quite Conventional: U.S. Patent Drawings and the Persona of the Inventor, 1870 -- 2005 / |r William J. Rankin -- |g II. |t Before and After the Commons and Traditional Knowledge -- |g 4. |t Cultural Agencies: The Legal Construction of Community Subjects and Their Properties / |r Rosemary J. Coombe -- |g 5. |t Social Invention / |r Marilyn Strathern -- |g 6. |t From "Folklore" to "Knowledge" in Global Governance: On the Metamorphoses of the Unauthored / |r Marc Perlman -- |g 7. |t Inventing Copyleft / |r Christopher Kelty -- |g 8. |t Designing Cooperative Systems for Knowledge Production: An Initial Synthesis from Experimental Economics / |r Yochai Benkler -- |g III. |t IP Crimes and Other Fictions -- |g 9. |t Beyond Representation: The Figure of the Pirate / |r Lawrence Liang -- |g 10. |t Publishers, Privateers, Pirates: Eighteenth-Century German Book Piracy Revisited / |r Martha Woodmansee -- |g 11. |t Property Police / |r Adrian Johns -- |g 12. |t Characterizing Copyright in the Classroom: The Cultural Work of Antipiracy Campaigns / |r Tarleton Gillespie -- |g 13. |t Economic View of Legal Restrictions on Musical Borrowing and Appropriation / |r Peter Dicoia -- |g IV. |t Old Things Into New IP Objects -- |g 14. |t New Blood, New Fruits: Protections for Breeders and Originators, 1789 -- 1930 / |r Daniel J. Kevles -- |g 15. |t Kinds, Clones, and Manufactures / |r Brad Sherman -- |g 16. |t No Patent, No Generic: Pharmaceutical Access and the Politics of the Copy / |r Cori Hayden -- |g 17. |t Inventing Race as a Genetic Commodity in Biotechnology Patents / |r Jonathan Kahn -- |g 18. |t Strange Odyssey of Software Interfaces as Intellectual Property / |r Pamela Samuelson -- |g V. |t Doing and Undoing Collaborative IP -- |g 19. |t Invention, Origin, and Dedication: Republishing Women's Prints in Early Modern Italy / |r Evelyn Lincoln -- |g 20. |t Technological Platforms and the Layers of Patent Data / |r Eric Giannella -- |g 21. |t Intellectual Property Norms in Stand-Up Comedy / |r Christopher Sprigman -- |g 22. |t Patenting Life: How the Oncomouse Patent Changed the Lives of Mice and Men / |r Fiona Murray -- |g 23. |t Is There Such a Thing as Postmodern Copyright? / |r Peter Jaszi. |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Intellectual property |z United States. | |
| 650 | 6 | |a Propriété intellectuelle |z États-Unis. | |
| 650 | 7 | |a LAW |x Administrative Law & Regulatory Practice. |2 bisacsh | |
| 650 | 7 | |a Intellectual property. |2 fast |0 (OCoLC)fst00975774 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 700 | 1 | |a Biagioli, Mario, |d 1955- |e editor. | |
| 700 | 1 | |a Jaszi, Peter, |e editor. | |
| 700 | 1 | |a Woodmansee, Martha, |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Biagioli, Mario. |t Making and Unmaking Intellectual Property : Creative Production in Legal and Cultural Perspective. |d Chicago : University of Chicago Press, ©1753 |z 9780226907086 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1046931 |z Texto completo |
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