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Modernism at the microphone : radio, propaganda, and literary aesthetics during World War II /

"As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers' radio...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dinsman, Melissa
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Bloomsbury Academic, 2015.
Colección:Historicizing modernism.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Dinsman, Melissa. 
245 1 0 |a Modernism at the microphone :  |b radio, propaganda, and literary aesthetics during World War II /  |c Melissa Dinsman. 
260 |a London :  |b Bloomsbury Academic,  |c 2015. 
300 |a 1 online resource (xiv, 247 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Historicizing modernism 
504 |a Includes bibliographical references (pages 231-242) and index. 
520 |a "As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers' radio works played in the propaganda war and the relationship between modernist literary aesthetics and propaganda. Drawing on new archival research, the book covers the broadcast work of such key figures as George Orwell, Orson Welles, Dorothy L. Sayers, Louis MacNeice, Mulk Raj Anand, T.S. Eliot, and P.G. Wodehouse. In addition to the work of Anglo-American modernists, Melissa Dinsman also explores the radio work of exiled German writers, such as Thomas Mann, as well as Ezra Pound's notorious pro-fascist broadcasts. In this way, the book reveals modernism's engagement with new technologies that opened up transnational boundaries under the pressures of war."--Bloomsbury Publishing 
505 0 |a FC -- Half Title -- Title Page -- Copyright -- Dedication -- Contents -- Series Editors' Preface -- List of Illustrations -- Acknowledgments -- Introduction: The Voices of War -- Voices of the wireless revolution -- Voices of contradiction -- Voices of the radio war -- 1. War on the Air -- Radio's fascism and the violence of the voice -- It's the end of the world as we know it -- 2. Militarizing the Messiah -- I heard the voice of Jesus say -- A Christ for World War II -- 3. Transatlantic Crossings -- MacNeice crosses the Atlantic -- Propaganda, poetry, and the radio -- Conquering the new world -- 4. Propaganda, Literature, and New Networks -- Orwell's ambivalence -- London calling -- Orwell loses his radio voice -- 5. Clogged Communication -- A hopeful transmission -- Can't get through to you -- Please Mr. Postman -- 6. Haunted Network -- Modernist hauntings -- Mann's ghosts -- Extending the network -- Epilogue: A Voice from the Other Side -- Notes -- Bibliography -- Index. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a World War, 1939-1945  |x Radio broadcasting and the war. 
650 0 |a Radio in propaganda. 
650 0 |a Radio and literature. 
650 6 |a Radio dans la propagande. 
650 6 |a Radio et littérature. 
650 7 |a Literature: history & criticism.  |2 bicssc 
650 7 |a Second World War.  |2 bicssc 
650 7 |a Literary studies: from c 1900.  |2 bicssc 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a Radio and literature  |2 fast 
650 7 |a Radio broadcasting and war  |2 fast 
650 7 |a Radio in propaganda  |2 fast 
650 7 |a Engelsk litteratur  |x historia.  |2 sao 
650 7 |a Andra världskriget 1939-1945.  |2 sao 
650 7 |a Radio och litteratur.  |2 sao 
650 7 |a Propaganda.  |2 sao 
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648 7 |a 1939-1945  |2 fast 
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830 0 |a Historicizing modernism. 
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