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EBSCO_ocn913513977 |
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OCoLC |
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20231017213018.0 |
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|a 1167355394
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|a 9781316320068
|q (electronic bk.)
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|a 1316320065
|q (electronic bk.)
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|a 9781316091647
|q (electronic bk.)
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|a 1316091643
|q (electronic bk.)
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|a 9781107451629
|q (paperback)
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|a 1107451620
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|z 9781107086685
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|z 110708668X
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|a (OCoLC)913513977
|z (OCoLC)1167355394
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050 |
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|a PN1042
|b .B473 2015
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|a LAN
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|a UAMI
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|a Bergman, David,
|d 1950-
|e author.
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1 |
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|a The poetry of disturbance :
|b the discomforts of Post-War American poetry /
|c David Bergman.
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|a Cambridge :
|b Cambridge University Press,
|c 2015.
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|a 1 online resource (xiii, 177 pages)
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|a text
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|a Cambridge Studies in American literature and culture
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|a Online resource; title from PDF title page (EBSCO, viewed July 13, 2015).
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|a Includes bibliographical references and index.
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|a 1. Poems that disturb -- 2. Disturbing modernism -- 3. Orality and Copia -- 4. Disturbing voices -- 5. A queer directness -- 6. The long poem.
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|a In The Poetry of Disturbance, David Bergman argues that post-war poetry underwent a significant if subtle shift in emphasis, moving from the modernist concern with the poem as a visual text to one that was chiefly oral in nature. The resulting change was disturbing, especially for those brought up on the principles of high modernism. This new stress on orality implied a shift in the economy of the poem, away from the austerity of language advocated by Pound and Eliot to a style that conveyed freedom, expansiveness, and an innovative directness.
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|a Universidad Sergio Arboleda
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650 |
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|a Poetics.
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|a Poetry
|x Appreciation.
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|a Poétique.
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|a Poésie
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|a LANGUAGE ARTS & DISCIPLINES
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|a LANGUAGE ARTS & DISCIPLINES
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|a REFERENCE
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|a Poetry
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650 |
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|a Englisch
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|a Lyrik
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|a Cambridge studies in American literature and culture.
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