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British musical modernism : the Manchester Group and their contemporaries /
This book explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Da...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2015.
|
| Colección: | Music since 1900.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rupprecht, Philip Ernst, |e author. | |
| 245 | 1 | 0 | |a British musical modernism : |b the Manchester Group and their contemporaries / |c Philip Rupprecht. |
| 264 | 1 | |a Cambridge : |b Cambridge University Press, |c 2015. | |
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| 490 | 1 | |a Music since 1900 | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed July 13, 2015). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Between nationalism and the avant-garde : defining British modernism -- Post-war motifs -- Manchester avant-garde : Goehr, Davies, and Birtwistle to 1960 -- A Manchester generation in Paris, London, and Rome : Musgrave, Maw, Crosse, and Bennett -- Group portrait in the Sixties : Davies, Birtwistle, and Goehr to 1967 -- Instrumental drama : Musgrave and Birtwistle in the late Sixties -- Vernaculars : Bedford and Souster as pop musicians. | |
| 520 | |a This book explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and their contemporaries assimilated the serial-structuralist preoccupations of mid-century internationalism to an art grounded in resurgent local traditions. In close readings of some thirty-five scores, Philip Rupprecht traces a modernism suffused with the formal elegance of the 1950s, the exuberant theatricality of the 1960s, and - in the works of David Bedford and Tim Souster - the pop, minimalist, and live-electronic directions of the early 1970s. Setting music-analytic insights against a broader social-historical backdrop, Rupprecht traces a British musical modernism that was at once a collective artistic endeavor, and a sounding myth of national identity. | ||
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| 650 | 0 | |a Music |z Great Britain |y 20th century |x History and criticism. | |
| 650 | 6 | |a Compositeurs |z Angleterre |z Manchester |y 20e siècle. | |
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| 776 | 0 | 8 | |i Print version: |a Rupprecht, Philip Ernst. |t British musical modernism. |d Cambridge : Cambridge University Press, 2015 |z 9780521844482 |z 0521844487 |w (DLC) 2014043403 |w (OCoLC)897946248 |
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