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Mapping Degas : real spaces, symbolic spaces and invented spaces in the life and work of Edgar Degas (1834-1917) /

The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas's approach to space and his self-fashioning attitude towards identity within the ambi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Crisci-Richardson, Roberta (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2015.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Mapping Degas :  |b real spaces, symbolic spaces and invented spaces in the life and work of Edgar Degas (1834-1917) /  |c by Roberta Crisci-Richardson. 
264 1 |a Newcastle upon Tyne, UK :  |b Cambridge Scholars Publishing,  |c 2015. 
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520 |a The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas's approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas ... 
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