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Daguerreotypes : fugitive subjects, contemporary objects /
"In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link be...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
2015.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Saltzman, Lisa, |e author. | |
| 245 | 1 | 0 | |a Daguerreotypes : |b fugitive subjects, contemporary objects / |c Lisa Saltzman. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Retro-spectacles : on the fictions of contemporary art photography -- Orphans : on émigrés and images in W.G. Sebald's Austerlitz -- Just drawings : on photographs, fun home and the pencil of nature -- Time regained : on stasis and duration in contemporary video portraits. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a "In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at precisely the moment of its own material demise. By examining this idea of photography as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an otherwise unstable sense of self. Lisa Saltzman argues that in many modern works, the photograph asserts itself as a guarantor of identity, whether genuine or fabricated. From Roland Barthes's Camera Lucida to Ridley Scott's Blade Runner, W.G. Sebald's Austerlitz to Alison Bechdel's Fun Home--we find traces of photography's "fugitive subjects" throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph, at once personal memento and material witness, has inspired a range of modern artistic and critical practices."--Publisher's description | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Photography, Artistic |x Philosophy. | |
| 650 | 0 | |a Photography |x Social aspects. | |
| 650 | 0 | |a Photography |x History. | |
| 650 | 0 | |a Photographic interpretation. | |
| 650 | 6 | |a Photographie artistique |x Philosophie. | |
| 650 | 6 | |a Photographie |x Aspect social. | |
| 650 | 6 | |a Photographie |x Histoire. | |
| 650 | 6 | |a Photo-interprétation. | |
| 650 | 7 | |a COMPUTERS |x Digital Media |x Photography. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Reference. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Imaging Systems. |2 bisacsh | |
| 650 | 7 | |a Photographic interpretation |2 fast | |
| 650 | 7 | |a Photography |2 fast | |
| 650 | 7 | |a Photography, Artistic |x Philosophy |2 fast | |
| 650 | 7 | |a Photography |x Social aspects |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Saltzman, Lisa. |t Daguerreotypes |z 9780226242033 |w (DLC) 2014044793 |w (OCoLC)890360374 |
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