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Receptions of antiquity, constructions of gender in European art, 1300-1600 /

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 examines the way in which late medieval and early modern visual culture engaged with Greek and Roman antiquity to construct and challenge contemporary gender norms.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Rose, Marice E. (Editor ), Poe, Alison C. (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, [2015]
Colección:Metaforms ; v. 3.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Receptions of antiquity, constructions of gender in European art, 1300-1600 /  |c edited by Marice Rose and Alison C. Poe. 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c [2015] 
264 4 |c ©2015 
300 |a 1 online resource (xv, 467 pages) :  |b illustrations (some color) 
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490 1 |a Metaforms : studies in the reception of classical antiquity ;  |v volume. 3 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600; Copyright; Contents; Acknowledgments; List of Contributors; List of Figures; Introduction: Classical Reception, Gender Studies, and Art History; 1: Cross-Dressing in the Arena Chapel: Giotto's Virtue Fortitude Re-examined; 2: The Liminal Feminine: Illuminating Europain the Ovide Moralisé; 3: A Giant Corrupt Body: The Gendering of Renaissance Roma; 4: Luca Signorelli's Veturia Persuading Coriolanus to Spare Rome and Viewers in the Palazzo Petrucci, Siena. 
505 8 |a 5: Queer Fragments: Sodoma, the Belvedere Torso, and Saint Catherine's Head6: The Trouble with Pasiphaë: Engendering a Myth at the Gonzaga Court; 7: Vision, Voluptas, and the Poetics of Water in Lorenzo Lotto's Venus and Cupid; 8: The Crone, the Witch, and the Library: The Intersection of Classical Fantasy with Christian Vice during the Italian Renaissance; 9: Picturing Rape and Revenge in Ovid's Myth of Philomela; 10: Figuring Florence: Gendered Bodies in Sixteenth-Century Personificationsand Their Antique Models; 11: Conjugal Piety: Creusa in Barocci's Aeneas' Flightfrom Troy. 
520 |a Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 examines the way in which late medieval and early modern visual culture engaged with Greek and Roman antiquity to construct and challenge contemporary gender norms. 
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650 0 |a Sex role in art. 
650 0 |a Civilization, Classical, in art. 
650 0 |a Civilization, Western  |x Classical influences. 
650 0 |a Art and society  |z Europe  |x History  |y To 1500. 
650 0 |a Art and society  |z Europe  |x History  |y 16th century. 
650 6 |a Rôle selon le sexe dans l'art. 
650 6 |a Art et société  |z Europe  |x Histoire  |y 16e siècle. 
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650 7 |a Sex role in art  |2 fast 
651 7 |a Europe  |2 fast 
648 7 |a To 1599  |2 fast 
655 7 |a History  |2 fast 
700 1 |a Rose, Marice E.,  |e editor. 
700 1 |a Poe, Alison C.,  |e editor. 
776 0 8 |i Print version:  |t Receptions of antiquity, constructions of gender in European art, 1300-1600.  |d Leiden ; Boston : Brill, [2015]  |z 9789004278745  |w (DLC) 2015004853  |w (OCoLC)898086862 
830 0 |a Metaforms ;  |v v. 3. 
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