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Anecdotal Shakespeare : a new performance history /
Shakespeare's four-hundred-year performance history is full of anecdotes ribald, trivial, frequently funny, sometimes disturbing, and always but loosely allegiant to fact. Such anecdotes are nevertheless a vital index to the ways that Shakespeare's plays have generated meaning across varie...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Arden Shakespeare, an imprint of Bloomsbury Publishing Plc,
2015.
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| Colección: | Shakespeare, William, 1564-1616. Works. 1995.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Menzer, Paul, |d 1966- |e author. | |
| 245 | 1 | 0 | |a Anecdotal Shakespeare : |b a new performance history / |c Paul Menzer. |
| 264 | 1 | |a London : |b Bloomsbury Arden Shakespeare, an imprint of Bloomsbury Publishing Plc, |c 2015. | |
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| 490 | 1 | |a The arden Shakespeare | |
| 588 | 0 | |a Online resource; title from PDF title page (Ebsco, viewed June 24, 2015). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Anecdotal Shakespeare -- Tarlton's head -- Guildenstern's bassoon -- Shylock's son -- Richard's will -- 1 Hamlet: Skulls are good to think with -- Yorick's skulls -- Skull caps -- Like father, like son -- Ghost walkers -- 2 Othello: The smudge -- Pillow talk -- Desdemona's beard -- Another man -- The impossible fix -- One moor -- 3 Romeo and Juliet: Central casting -- Be some other name -- Old Montague -- Young Capulet -- Something old, something new ... -- Romeo must die -- Unromantic altitudes -- Duck! -- 4 Richard III: Oedipus text -- Olivier's Dick -- Richard's whose self again? -- Heart-throbs and hamstrings -- Booth's trunk -- 5 Macbeth: An embarrassment of witches -- The unfortunate comedy -- Of curses and kilts -- Tangible properties -- Crude mechanicals -- Stage frights -- Exeunt, cursing. | |
| 520 | |a Shakespeare's four-hundred-year performance history is full of anecdotes ribald, trivial, frequently funny, sometimes disturbing, and always but loosely allegiant to fact. Such anecdotes are nevertheless a vital index to the ways that Shakespeare's plays have generated meaning across varied times and in varied places. Furthermore, particular plays have produced particular anecdotes stories of a real skull in Hamlet, superstitions about the name Macbeth, toga troubles in Julius Caesar and therefore express something embedded in the plays they attend. Anecdotes constitute then not just a vital component of a play's performance history but a form of vernacular criticism by the personnel most intimately involved in their production: actors. These anecdotes are therefore every bit as responsive to and expressive of a play's meanings across time as the equally rich history of Shakespearean criticism or indeed the very performances these anecdotes treat. Anecdotal Shakespeare provides a history of post-Renaissance Shakespeare and performance, one not based in fact but no less full of truth. | ||
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| 650 | 0 | |a Acting |v Anecdotes. | |
| 650 | 6 | |a Art dramatique |v Anecdotes. | |
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| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
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| 650 | 7 | |a Shakespearean actors and actresses |2 fast | |
| 655 | 7 | |a Anecdotes |2 fast | |
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