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|a UAMI
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|a Naked exhibitionism :
|b gendered performance and public exposure /
|c edited by Claire Nally and Angela Smith.
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|a Gendered performance and public exposure
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|a London ;
|a New York :
|b I.B. Tauris ;
|a New York :
|b Distributed in the U.S. and Canada exclusively by Palgrave Macmillan,
|c 2013.
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300 |
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|a 1 online resource (vi, 193 pages) :
|b illustrations
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336 |
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|a text
|b txt
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|a computer
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|a online resource
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|a International library of cultural studies ;
|v 28
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|a Includes bibliographical references and index.
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|a "What does it mean to be naked in public? Approaching this question from across the disciplines, Naked Exhibitionism examines the evolution of female exhibitionism from criminal taboo to prime-time entertainment. Taking an interdisciplinary approach which brings together all fields of popular culture, including literature, media, film and linguistics, Claire Nally and Angela Smith offer an examination of gendered exhibitionism from the mid-twentieth century to the present day. They ask whether bodily exposure provides the liberation it professes to or restricts our most secret selves to the sanitised realm of socially-sanctioned gender roles. From the art of burlesque as a riotous kingdom of the imagination to reality TV which helps women to unearth their 'true' and buried feminine selves, Nally and Smith explore how the critical history and theory of exhibitionism intersects with the wider movement towards gender equality. Examining effects of second-wave feminism to problematise the naked female form, female and gender-transgressive performers from Bette Davis to Dita von Teese are placed in their cultural context. In order to demonstrate that female exhibitionism remains at the heart of popular culture, this book also examines the works of Peter Ackroyd and the controversial playwright Sarah Kane, uncovering the contradictions behind the evolving representations of public exposure. Within a post-feminist framework, the cultural constructions behind the repackaging of female exhibitionism are explored and the prominence of bodily exposure in popular culture examined, along with the implications of those artists who perform gender as a public masquerade. Finally, hit TV shows Ladette to Lady and How to Look Good Naked are interrogated to expose the buried contradictions behind this public unveiling: are women seizing control of their own identity, or is this revelation an illusion? Innovative, unflinching and pertinent, Naked Exhibitionism explores naked bodies in the public gaze and critically reformulates the feminist and cultural debate around the performance of gender."--Jacket
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0 |
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|t The naked ugliness of Beyond the forest (1949) /
|r Martin Shingler --
|t 'Look! Hands off!' : the performance of female exhibitionism in Angela Carter's The infernal desire machines of Doctor Hoffman and Nights at the circus /
|r Anna Watz --
|t The abject body in Sarah Kane's mise-en-scène of desire /
|r Rina Kim --
|t 'Waving genitals and manuscripts' : Ginsberg's 'Howl' and Butler's Excitable speech /
|r Andrew Webb --
|t Cross-dressing and grrrly shows : twenty-first century burlesque /
|r Claire Nally --
|t From girl power to lady power? : postfeminism and Ladette to lady /
|r Angela Smith --
|t Bingo wings and muffin tops : negotiating the exhibition of 'imperfect' bodies in How to look good naked /
|r Linda McLoughlin.
|
588 |
0 |
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|a Print version record.
|
590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Nudity
|x Social aspects.
|
650 |
|
0 |
|a Exhibitionism.
|
650 |
|
0 |
|a Women
|x Identity.
|
650 |
|
2 |
|a Exhibitionism
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|
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|a Nudité
|x Aspect social.
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|
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|a Exhibitionnisme.
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|a Femmes
|x Identité.
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|a Theatre studies.
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|a POLITICAL SCIENCE
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|x Cultural.
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|a SOCIAL SCIENCE
|x Popular Culture.
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|a Exhibitionism.
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700 |
1 |
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|a Nally, Claire,
|d 1979-
|e editor.
|
700 |
1 |
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|a Smith, Angela,
|d 1969-
|e editor.
|
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|i Print version:
|t Naked exhibitionism
|z 9781848858527
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|a International library of cultural studies ;
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