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Children's literature and the avant-garde /

This chapter addresses what an avant-garde for children might look like, and what it might do. It is called "Surrealism for Children: Paradoxes and Possibilities" because the very notion of an avant-garde for children strikes the author as both paradoxical and not, and as both possible and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Druker, Elina, 1970- (Editor ), Kümmerling-Meibauer, Bettina (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam ; Philadelphia : John Benjamins Publishing Company, [2015]
Colección:Children's literature, culture, and cognition ; v. 5.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Children's literature and the avant-garde /  |c edited by Elina Druker, Stockholm University ; Bettina Kümmerling-Meibauer, Eberhard Karls-Universität Tübingen. 
264 1 |a Amsterdam ;  |a Philadelphia :  |b John Benjamins Publishing Company,  |c [2015] 
300 |a 1 online resource 
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490 1 |a Children's literature, culture, and cognition,  |x 2212-9006 ;  |v v. 5 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record and CIP data provided by publisher. 
505 0 |a Children's Literature and the Avant-Garde; Editorial page; Title page; LCC data; Table of contents; Table of figures; Introduction; What is Avant-garde?; Avant-garde and children's books; Aims of this volume; Selected bibliography; John Ruskin and the mutual influences of children's literature and the avant-garde; The condition of childhood; Influence of improved printing for children; Children's literature and culture as Purveyors of the Grotesque; Political caricaturists as children's book illustrators; Roots of the picturebook in total design; References; Primary sources; Secondary sources. 
505 8 |a Einar Nerman -- From the picturebook page to the avant-garde stageCaricature artist, painter and performer; Crow's Dream -- An animal revolution; Darkness and light; From stage designs to picturebooks; Mass culture, children's literature and the avant-garde; References; Primary sources; Secondary sources; Sándor Bortnyik and an inter-war Hungarian children's book; Introduction; Publication variations; The book; Sándor Bortnyik: Biography and activity; Bortnyik in Germany; Return to Hungary; Hungarian modernism and its origins; Modernism and its relationship to graphic design. 
505 8 |a Potty és Pötty: Illustrations and textBortnyik and children's books; Conclusion; Acknowledgments; References; Primary sources; Secondary sources; The forgotten history of avant-garde publishing for children in early twentieth-century Britain; Recovering Britain's lost avant-garde legacy; Surrealism and British children's fiction: Jean de Bosschère The City Curious (1920); Childhood recaptured: Child art and children's literature in Britain; The Émigré effect: Adapting European techniques to British tastes; Avant-garde echoes. 
505 8 |a Experimental landscapes: Avant-garde arts meet the English landscapeAcknowledgement; References; Primary sources; Secondary sources; The square as regal infant; Introduction; Kazimir Malevich and the avant-garde infantile; Shape, Geometry, and the Infantile; El Lissitzky and the avant-garde infantile; Vladimir Lebedev and the avant-garde infantile; Conclusion; References; Primary sources; Secondary sources; The 1929 Amsterdam exhibition of early Soviet children's picturebooks; Historical background; Publishing children's books in the early Soviet Union; Early Soviet children's books. 
505 8 |a Illustrators of Soviet children's booksEarly exhibitions of Soviet children's books; The organization of the 1929 Amsterdam exhibition; The reconstruction of the exhibition; Representativeness; The reception; Conclusions; References; Primary sources; Secondary sources; Appendix; Rupture. ideological, aesthetic, and educational transformations in Danish picturebooks around 1933; A new society, a new child, a new picturebook; The new world presented in Jørgens Hjul; The education of the socialist citizen; Aesthetic appeal in text and image. 
520 |a This chapter addresses what an avant-garde for children might look like, and what it might do. It is called "Surrealism for Children: Paradoxes and Possibilities" because the very notion of an avant-garde for children strikes the author as both paradoxical and not, and as both possible and impossible. In making this claim, the author argues with - and revises - his own analysis in The Avant-Garde and American Postmodernity: Small Incisive Shocks (2002), which took for granted that an avant-garde for children was both possible and critically viable. What he once accepted as a certainty, he now 
546 |a English. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Children's literature  |x History and criticism. 
650 0 |a Avant-garde (Aesthetics)  |x History  |y 20th century. 
650 0 |a Avant-garde (Aesthetics)  |x History  |y 21st century. 
650 0 |a Literature, Experimental  |x History and criticism. 
650 6 |a Littérature expérimentale  |x Histoire et critique. 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 7 |a Avant-garde (Aesthetics)  |2 fast 
650 7 |a Children's literature  |2 fast 
650 7 |a Literature, Experimental  |2 fast 
648 7 |a 1900-2099  |2 fast 
653 |a børne- og ungdomslitteratur. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
700 1 |a Druker, Elina,  |d 1970-  |e editor. 
700 1 |a Kümmerling-Meibauer, Bettina,  |e editor. 
776 0 8 |i Print version:  |t Children's literature and the avant-garde.  |d Amsterdam ; Philadelphia : John Benjamins Publishing Company, [2015]  |z 9789027201591  |w (DLC) 2015015504 
830 0 |a Children's literature, culture, and cognition ;  |v v. 5. 
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