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Art, agency and living presence : from the animated image to the excessive object /
Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses, by drawing on ancient rhetoric and the theories of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Boston :
De Gruyter,
[2015]
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| Colección: | Studien aus dem Warburg-Haus ;
Bd. 16. Reihe Kunst und Wirkmacht. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgements; Introduction; Rhetoric; Agency; Experience and memory; The animated image: a growing field; The structure of this book; Part One; Enargeia; Enargeia, ekphrasis and phantasia; Phantasia; Phantasia, memory and living presence; The early modern afterlife of ekphras; Agency; Art and agency; The experience of living presence; Living presence as agency and experie; Animacy; 'Laocoon I am'; Bellini's Brera Pietà; Bernini's Medusa; Memory; Simulacra in the chambers of memory; Perception, memory and emotion; Memory is not an art gallery, but a s.
- Ekphrasis as imaginative recollectionConclusion; Part Two; François Lemée on the Monument of Lou; A new way of considering idolatry; The living presence of statues: a que; Living presence and idolatry; How to control the undesirable agency; Conclusion; 1 Fetishism; Persuasive figuration as the foundat; Fetishism; 'Les rapports intimes des statues av; 'Le ministre le plus docile des volo; Conclusion; Aesthetic Ambivalence; Pygmalion's dream; Petrifying statue lovers; Goethe's gallery of art lovers; Art fetishism; Kant's epistemological barrier again; Conclusion; Part Three.
- Framing, Staging and Acting Living PLiving presence and a visual history; Santa Maria del Priorato: anachronis; 'Killing art to write its history'; 'Glorious visions of the past'; 'The presence of reality instead of; Conclusion; The Afterlife of Art; Aby Warburg on the lives of art work; Pathosformel and Nachleben; The life of art as an artistic issue; The agency of lifelikeness; Mnemosyne: Nachleben as an issue in; Representation; Mnemosyne, Nachleben, and historical; Conclusion; Epilogue: From the Animated Image to; 'The appearance of the soul'; Changing appreciations of viewers at.
- An anthropological turnExcessive and transitional objects; Homo animans and homo repraesentans; Notes; Bibliography; List of Illustrations; Index.