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An approach to the semiotics of theatre /
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Checo |
| Publicado: |
Brno :
Masaryk University,
2012.
|
| Edición: | First edition. |
| Colección: | Travaux du Cercle linguistique de Prague. Nouvelle, série ;
6. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro; Contents; The Background Story of the Book. Jarmila F. Veltrusky; 1. The Prague School; 2. Theatre and literature; 2.1 Rejection of the literary conception of theatre; 2.2 Relations between theatre and literature; 2.3 Drama among the literary genres; 2.4 Dialogic language and dramatic dialogue; 2.5 Thematic construction in drama; 2.6 The dramatic text and its performance; 2.7 Excursus: Sound features in the dramatic text and in the actorâ#x80;#x99;s performance; 3. The contribution of the other arts; 3.1 Critique of the â#x80;#x9C;syntheticâ#x80;#x9D; theory of theatre; 3.2 Sculpture; 3.3 Architecture.
- 3.4 Painting3.5 Film; 3.6 Music; 3.7 Dance; 3.8 Borrowings from other arts in relation to purely theatrical components; 4. Opera; 4.1 Supremacy of music over text; 4.2 Polyphony and dialogue; 4.3 Referential potential of music in general and in opera; 4.4 Relations between music and space; 5. Acting; 5.1 Separate but not autonomous semiotic system; 5.2 Beings and their actions and behaviour; 5.3 Forming the signs; 5.3.1 Distinctness; 5.3.2 Breaking down and building up; 5.3.3 Consistency; 5.4 The signifier and the signified; 5.4.1 Distinction between signifier and signified.
- 5.4.2 Stage figure and stage action5.4.3 Relations between signifier and signified; 5.5 Collective performance; 5.5.1 Stage figure. Entity: Component of structure; 5.5.2 Actorâ#x80;#x99;s personal presence: Collective nature of acting; 5.5.3 Improvisation: Preparation; 5.5.4 Contribution of elements not supplied by actors; 5.5.5 Excursus: One-man show; 6. Theatre as a semiotic system; 6.1 Intersubjective communication; 6.2 Double relation to reality; 6.3 Autonomous and syncretic sign systems; 6.4 Units of meaning; 6.5 Lasting and momentary signs. Context; 6.6 Modes of semiosis.
- 6.7 Constant structural features6.8 Guiding principle: Action; 6.9 Contradiction; Notes; Bibliography; JiÅ#x99;ÃƯ VeltruskÃư (1919â#x80;#x93;1994): A journey through life with semiotics; VeltruskÃư, JiÅ#x99;ÃƯ. Semiotic-aesthetic bibliography.