'Bitter with the past but sweet with the dream : communism in the African American imaginary representations of the Communist Party, 1940-1952 /
The book is an examination of the impact of Communism on a generation of African American writers and a consideration of how African American identity in three novels is constructed in relation to the political ideology of the Communist Party.
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Leiden ; Boston :
Brill,
2015.
|
Colección: | Historical materialism book series ;
95. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Radical Alliances. Introduction: 'Towards Soviet America'
- Determinations and Determinism: Lenin, Stalin and the Comintern
- Swearing Allegiances: Garveyism and Communism
- Trials on Trial: Yokinen and Scottsboro
- The Liberator (1929-1935)
- The Liberator: The Black Bourgeoisie and Revolutionary Tradition
- The Liberator: Interracial Solidarity and Internationalism
- The Liberator and Black Cultural Politics
- Native Son: Ghetto Nightmares
- 'Poor Richard Wright': The Black Protest Novel
- A Room of One's Own?: Bigger, Rage and Consciousness
- 'Russian Folks': The Communist Party in Native Son
- Betrayals and Defeat. Introduction to Part 2
- 'Communism is the Twentieth Century Americanism'
- Popular Front: Remaking African American Culture
- Peace and War: Shifting Priorities
- Lonely Crusade: Union Dues
- 'History as Nightmare': The Critical Reception of Lonely Crusade
- 'This Illusion of Manhood': Lee Gordon, Rage and Impotence
- 'Sure, I 'Longs to the Party. But I is a Nigger First': The Communist Party in Lonely Crusade
- Invisible Man: Un-American Activities
- 'Beautiful Absurdity': Ellison, Responsibility and Identity
- 'Riding Race Again': The Communist Party in Invisible Man
- Conclusion.