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Photography for everyone : the cultural lives of cameras and consumers in early twentieth-century Japan /

The Japanese passion for photography is almost a cliché, but how did it begin? Although Japanese art photography has been widely studied this book is the first to demonstrate how photography became an everyday activity. Japan's enthusiasm for photography emerged alongside a retail and consumer...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ross, Kerry (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stanford, California : Stanford University Press, [2015]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ross, Kerry,  |e author. 
245 1 0 |a Photography for everyone :  |b the cultural lives of cameras and consumers in early twentieth-century Japan /  |c Kerry Ross. 
264 1 |a Stanford, California :  |b Stanford University Press,  |c [2015] 
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504 |a Includes bibliographical references (pages 207-219) and index. 
505 0 |a A retail revolution : male shoppers and the creation of the modern shop -- Photography for everyone : women, hobbyists, and marketing photography -- Instructions for life : how-to literature and hobby photography -- Democratizing leisure : camera clubs and the popularization of photography -- Making middlebrow photography : the aesthetics and craft of amateur photography. 
588 0 |a Print version record. 
546 |a English. 
520 |a The Japanese passion for photography is almost a cliché, but how did it begin? Although Japanese art photography has been widely studied this book is the first to demonstrate how photography became an everyday activity. Japan's enthusiasm for photography emerged alongside a retail and consumer revolution that marketed products and activities that fit into a modern, tasteful, middle-class lifestyle. Kerry Ross examines the magazines and merchandise promoted to ordinary Japanese people in the early twentieth century that allowed Japanese consumers to participate in that lifestyle, and gave them a powerful tool to define its contours. Each chapter discusses a different facet of this phenomenon, from the revolution in retail camera shops, to the blizzard of socially constructive how-to manuals, and to the vocabulary of popular aesthetics that developed from enthusiasts sharing photos. Ross looks at the "idian activities that went into the entire picture-making process, activities not typically understood as photographic in nature, such as shopping for a camera, reading photography magazines, and even preserving one's pictures in albums. These very activities, promoted and sponsored by the industry, embedded the camera in everyday life as both a consumer object and a technology for understanding modernity, making it the irresistible enterprise that Eastman encountered in his first visit to Japan in 1920 when he remarked that the Japanese people were "almost as addicted to the Kodak habit as ourselves." 
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650 0 |a Photography  |x Social aspects  |z Japan  |x History  |y 20th century. 
651 0 |a Japan  |x Social life and customs  |y 1912-1945. 
650 6 |a Photographie  |x Aspect social  |z Japon  |x Histoire  |y 20e siècle. 
651 6 |a Japon  |x Mœurs et coutumes  |y 1912-1945. 
650 7 |a COMPUTERS  |x Digital Media  |x Photography.  |2 bisacsh 
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651 7 |a Japan  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 7 |a History  |2 fast 
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