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EBSCO_ocn908633166 |
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20231017213018.0 |
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140926s2015 enkag ob 001 0 eng d |
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|a UAB
|b eng
|e rda
|e pn
|c UAB
|d OCLCO
|d CAMBR
|d OCLCO
|d YDXCP
|d N$T
|d OCLCO
|d N$T
|d OCLCO
|d IDEBK
|d EBLCP
|d NHM
|d OCLCF
|d OCLCO
|d CAMBR
|d OCL
|d OCLCQ
|d BUF
|d UUM
|d OTZ
|d U5D
|d OCLCQ
|d YOU
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|d OCLCQ
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|a 939728463
|a 1117877375
|a 1170600405
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|a 1316316610
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|z 9781107442849
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|z 1107442842
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|z 9781107082298
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|z 1107082293
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|a 1107082293
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|a 9781107082298
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|a 9781107082298
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|a (OCoLC)908633166
|z (OCoLC)939728463
|z (OCoLC)1117877375
|z (OCoLC)1170600405
|z (OCoLC)1171842042
|z (OCoLC)1233262916
|z (OCoLC)1237625301
|z (OCoLC)1380487124
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|a ML172
|b .S245 2015e
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072 |
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|a MUS
|x 006000
|2 bisacsh
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|a MUS
|x 033000
|2 bisacsh
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082 |
0 |
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|a 780.9/031
|2 23
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|a UAMI
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100 |
1 |
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|a Schiltz, Katelijne,
|d 1974-
|e author.
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245 |
1 |
0 |
|a Music and riddle culture in the Renaissance /
|c Katelijne Schiltz ; with a catalogue of enigmatic canonic inscriptions by Bonnie J. Blackburn.
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264 |
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1 |
|a Cambridge :
|b Cambridge University Press,
|c 2015.
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300 |
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|a 1 online resource (513 pages) :
|b illustrations, music
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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588 |
0 |
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|a Online resource; title from PDF title page (EBL, viewed August 6, 2015).
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|a Includes bibliographical references and indexes.
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|a Cover -- Half-title -- Title page -- Copyright information -- Dedication -- Epigraph -- Table of contents -- List of plates -- List of figures -- List of music examples -- Acknowledgements -- List of abbreviations -- List of manuscript sigla -- List of printed music -- Introduction -- 1 The culture of the enigmatic from Classical Antiquity to the Renaissance -- Classical Antiquity and the Middle Ages -- Riddles in the Renaissance -- The discourse on obscurity -- Obscurity in rhetoric -- Causes of obscurity -- 'Allegoria, quae est obscurior': the riddle as trope -- Deliberate obscurity -- Docta obscuritas -- Influences of Augustine -- Positive resonances in the Renaissance -- 2 Devising musical riddles in the Renaissance -- The message of the notation -- Why obscurity? The musical riddle in context -- Techniques of transformation -- Imitation and transposition -- Retrograde and inversion -- Note values -- Substitution -- Rearrangement -- Extraction -- Omission -- Addition -- Enigmatic inscriptions -- Sources, language and form -- Dark hints -- Addressing the performer -- Riddles and their resolutio -- 'Non lo poterno mai cantare': in search of a resolutio -- Wrong solutions -- Multiple solutions -- Written-out solutions -- In search of the riddle -- 3 The reception of the enigmatic in music theory -- Theorists in favour of riddles -- 'Ad ingenia subtilianda et acuenda': Bartolomeus Ramis de Pareia -- 'Regula argutè revelans secreta cantus': Hermann Finck -- 'Para sutillizar el ingenio de los estudiosos': Pietro Cerone -- 'Diventar più segnalato, perfetto, e singolare': Lodovico Zacconi -- Critical voices -- On obscurity, errors and youthful indiscretion -- 'Prout ipse voluerit': Pietro Aaron on the randomness of obscurity and clarity -- Sebald Heyden and the search for clarity.
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|a In the aftermath of Heyden: 'na certan rewill may be gevin', or the uniqueness of riddles and the invention of inscriptions -- Ostentatio ingenii: Heinrich Glarean on the 'flaunting of genius' -- The Italian stance: Vicentino, Zarlino, Galilei and Tigrini -- Once more: mensural intricacies -- Towards a philosophical foundation: the hierarchy of the senses -- Riddles and images -- The performer -- Second-guessing: on prophets, astrologists and chimeras -- Conclusions -- 4 Riddles visualised -- Introduction: visual poetry -- visual music -- Geometrical figures: the circle -- Religious symbols: the cross -- Music and nature: the lunar cycle -- Rebus, cryptography and chronogram -- Conclusion -- Appendix 1 A brief introduction to mensural notation -- Appendix 2 Catalogue of enigmatic canonic inscriptions -- Index to the catalogue of enigmatic canonic inscriptions -- Bibliography -- Primary sources -- Secondary literature -- Index of compositions -- General index.
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520 |
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|a This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
|
0 |
|a Music
|y 15th century
|x History and criticism.
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650 |
|
0 |
|a Music
|y 16th century
|x History and criticism.
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650 |
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0 |
|a Renaissance.
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650 |
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0 |
|a Riddles
|x History and criticism.
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650 |
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6 |
|a Musique
|y 15e siècle
|x Histoire et critique.
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650 |
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6 |
|a Musique
|y 16e siècle
|x Histoire et critique.
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650 |
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6 |
|a Renaissance.
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650 |
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|a Renaissance.
|2 aat
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650 |
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|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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650 |
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|a MUSIC
|x Reference.
|2 bisacsh
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650 |
|
7 |
|a Music
|2 fast
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650 |
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7 |
|a Renaissance
|2 fast
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650 |
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7 |
|a Riddles
|2 fast
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648 |
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|a 1400-1599
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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700 |
1 |
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|a Blackburn, Bonnie J.,
|e author.
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776 |
0 |
8 |
|i Print version:
|z 9781107082298
|
856 |
4 |
0 |
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