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Music and riddle culture in the Renaissance /

This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Schiltz, Katelijne, 1974- (Autor), Blackburn, Bonnie J. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge : Cambridge University Press, 2015.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Schiltz, Katelijne,  |d 1974-  |e author. 
245 1 0 |a Music and riddle culture in the Renaissance /  |c Katelijne Schiltz ; with a catalogue of enigmatic canonic inscriptions by Bonnie J. Blackburn. 
264 1 |a Cambridge :  |b Cambridge University Press,  |c 2015. 
300 |a 1 online resource (513 pages) :  |b illustrations, music 
336 |a text  |b txt  |2 rdacontent 
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588 0 |a Online resource; title from PDF title page (EBL, viewed August 6, 2015). 
504 |a Includes bibliographical references and indexes. 
505 0 |a Cover -- Half-title -- Title page -- Copyright information -- Dedication -- Epigraph -- Table of contents -- List of plates -- List of figures -- List of music examples -- Acknowledgements -- List of abbreviations -- List of manuscript sigla -- List of printed music -- Introduction -- 1 The culture of the enigmatic from Classical Antiquity to the Renaissance -- Classical Antiquity and the Middle Ages -- Riddles in the Renaissance -- The discourse on obscurity -- Obscurity in rhetoric -- Causes of obscurity -- 'Allegoria, quae est obscurior': the riddle as trope -- Deliberate obscurity -- Docta obscuritas -- Influences of Augustine -- Positive resonances in the Renaissance -- 2 Devising musical riddles in the Renaissance -- The message of the notation -- Why obscurity? The musical riddle in context -- Techniques of transformation -- Imitation and transposition -- Retrograde and inversion -- Note values -- Substitution -- Rearrangement -- Extraction -- Omission -- Addition -- Enigmatic inscriptions -- Sources, language and form -- Dark hints -- Addressing the performer -- Riddles and their resolutio -- 'Non lo poterno mai cantare': in search of a resolutio -- Wrong solutions -- Multiple solutions -- Written-out solutions -- In search of the riddle -- 3 The reception of the enigmatic in music theory -- Theorists in favour of riddles -- 'Ad ingenia subtilianda et acuenda': Bartolomeus Ramis de Pareia -- 'Regula argutè revelans secreta cantus': Hermann Finck -- 'Para sutillizar el ingenio de los estudiosos': Pietro Cerone -- 'Diventar più segnalato, perfetto, e singolare': Lodovico Zacconi -- Critical voices -- On obscurity, errors and youthful indiscretion -- 'Prout ipse voluerit': Pietro Aaron on the randomness of obscurity and clarity -- Sebald Heyden and the search for clarity. 
505 8 |a In the aftermath of Heyden: 'na certan rewill may be gevin', or the uniqueness of riddles and the invention of inscriptions -- Ostentatio ingenii: Heinrich Glarean on the 'flaunting of genius' -- The Italian stance: Vicentino, Zarlino, Galilei and Tigrini -- Once more: mensural intricacies -- Towards a philosophical foundation: the hierarchy of the senses -- Riddles and images -- The performer -- Second-guessing: on prophets, astrologists and chimeras -- Conclusions -- 4 Riddles visualised -- Introduction: visual poetry -- visual music -- Geometrical figures: the circle -- Religious symbols: the cross -- Music and nature: the lunar cycle -- Rebus, cryptography and chronogram -- Conclusion -- Appendix 1 A brief introduction to mensural notation -- Appendix 2 Catalogue of enigmatic canonic inscriptions -- Index to the catalogue of enigmatic canonic inscriptions -- Bibliography -- Primary sources -- Secondary literature -- Index of compositions -- General index. 
520 |a This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance. 
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650 0 |a Renaissance. 
650 0 |a Riddles  |x History and criticism. 
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650 6 |a Musique  |y 16e siècle  |x Histoire et critique. 
650 6 |a Renaissance. 
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